Andreja Džakušič - Development of Compassion (00:17:45)
Subtitle: Embroidery and Burning
Production: 2007
Photo and video documentation of the performance Embroidery and Burning in the Chapel of St. Elizabeth in Celje in 2007.
Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sa...
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Andreja Džakušič - Development of Compassion (00:17:45)
Subtitle: Let Go
Production: 2008
The first part of the video is entitled Let Go (series of photographs and sound), the second part is documentation of the performance Embroidery and Burning in the Chapel of St. Elizabeth in Celje in 2007. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performance...
Subtitle: Let Go
Production: 2008
The first part of the video is entitled Let Go (series of photographs and sound), the second part is documentation of the performance Embroidery and Burning in the Chapel of St. Elizabeth in Celje in 2007. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performance...
Aleksandra Saška Gruden - Self-portrait (00:01:54)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Miha Mohorič - Ode to Camel (00:11:58)
Production: Sagar Kolektiv, 2018
In a world flooded with information people became more and more immune to sad and unfair stories of refugees and people in need. Ode to Camel talks about human emphaty that is fading in the world of mass media. Will the camel be able to bring it back to life? (Source: Miha Mohorič)
Production: Sagar Kolektiv, 2018
In a world flooded with information people became more and more immune to sad and unfair stories of refugees and people in need. Ode to Camel talks about human emphaty that is fading in the world of mass media. Will the camel be able to bring it back to life? (Source: Miha Mohorič)
Lealudvik - Fish Love (13:15)
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Lealudvik - Duality Insanity (00:41)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video consists of an endless loop. It plays with the hidden identi...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video consists of an endless loop. It plays with the hidden identi...
Lealudvik - I would go poof! (02:04)
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Lealudvik - In the waters on Leviathan I would go poof! (00:58)
Production: Lealudvik, 2017
The work is related to the project I would go poof! Here instead of a forest, the sea is the background. The video is a 20 second loop that repeats several times. It consists of three short sequences, each also in an endless loop. All sequences are full of glitches, which cause the disintegration of the image and represent a constitutive element of the work. The graphic sign drawn in the first sequence is the occult symbol of Leviathan from the title of the work. The video was part of the exhibition Wa...
Production: Lealudvik, 2017
The work is related to the project I would go poof! Here instead of a forest, the sea is the background. The video is a 20 second loop that repeats several times. It consists of three short sequences, each also in an endless loop. All sequences are full of glitches, which cause the disintegration of the image and represent a constitutive element of the work. The graphic sign drawn in the first sequence is the occult symbol of Leviathan from the title of the work. The video was part of the exhibition Wa...
Uršula Berlot - Vanitas – Self-Portrait (01:54)
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...