Andreja Džakušič - Development of Compassion (00:06:26)
Subtitle: Scrubbing
Production: 2008
Video documentation of performance made at ZDSLU Gallery in Ljubljana in 2008.
Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sadness and fear on white pillows. In the se...
DIVA water
58 results in works
Ana Pečar - Partitura za tri vode (1. del) (00:17:20)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Ana Pečar - Partitura za tri vode (2. del) (00:14:12)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Ana Pečar - Partitura za tri vode (3. del) (00:09:57)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Ana Pečar - White Etude_Black Surface (00:10:05)
Production: 2011
V video delu Bela etida_črna površina avtorica uporabi številne elemente videojezika kot so plastenje, izginjanje, prekrivanje; elektronske videomanipulacije in motnje prepleta s posnetki narave; vključuje makro posnetke, računalniško manipulirano sliko, upočasnjene posnetke narave, prekrivanje, izginjanje in vzvratno predvajanje. Ritem slike in strukturo podob določa utripajoča glasbena eksperimentalna struktura Luke Prinčiča. Avtorica z minimalnimi vizualnimi posegi prikazuje industrializirano...
Production: 2011
V video delu Bela etida_črna površina avtorica uporabi številne elemente videojezika kot so plastenje, izginjanje, prekrivanje; elektronske videomanipulacije in motnje prepleta s posnetki narave; vključuje makro posnetke, računalniško manipulirano sliko, upočasnjene posnetke narave, prekrivanje, izginjanje in vzvratno predvajanje. Ritem slike in strukturo podob določa utripajoča glasbena eksperimentalna struktura Luke Prinčiča. Avtorica z minimalnimi vizualnimi posegi prikazuje industrializirano...
Nataša Prosenc Stearns - Backfill (00:03:35)
Production: 2012
Avtorica je video instalacijo prvotno zasnovala za in-situ postavitev v okviru likovnih prireditev Evropske prestolnice kulture Maribor v bastiji Pokrajinskega muzeja Maribor. Video instalacija je refleksija novega zgodovinskega prostora. S tremi paralelnimi projekcijami padajočih kamnov, zemlje in proda, je umetnica oživela celotni prostor. Avtorico je do zemeljskih materialov pripeljal razmislek o zgodovini srednjeveške gradnje, a naredila je delo, v katerem poetično oživijo sloji zgodovine kot plazo...
Production: 2012
Avtorica je video instalacijo prvotno zasnovala za in-situ postavitev v okviru likovnih prireditev Evropske prestolnice kulture Maribor v bastiji Pokrajinskega muzeja Maribor. Video instalacija je refleksija novega zgodovinskega prostora. S tremi paralelnimi projekcijami padajočih kamnov, zemlje in proda, je umetnica oživela celotni prostor. Avtorico je do zemeljskih materialov pripeljal razmislek o zgodovini srednjeveške gradnje, a naredila je delo, v katerem poetično oživijo sloji zgodovine kot plazo...
Valérie Wolf Gang - Distant Memory (00:02:43)
Subtitle: English subtitles
Production: 2014
"Distant Memory" is a video poetry, which speaks about the times that once were. It all starts with a random event which evokes narrator’s memories about the times before the disintegration of Yugoslavia and encourages reflection about what the war actually brings and how quickly people forget everything. The poem can be interpreted as a letter or a personal confession of an unknown man written for the mighty Tito’s ship Galeb. The ship has a symbolic value in the poem and through the variety...
Subtitle: English subtitles
Production: 2014
"Distant Memory" is a video poetry, which speaks about the times that once were. It all starts with a random event which evokes narrator’s memories about the times before the disintegration of Yugoslavia and encourages reflection about what the war actually brings and how quickly people forget everything. The poem can be interpreted as a letter or a personal confession of an unknown man written for the mighty Tito’s ship Galeb. The ship has a symbolic value in the poem and through the variety...
Nataša Prosenc Stearns - Water Glove (00:00:58)
Production: Nataša Prosenc Stearns, 2015
Video is a part of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Production: Nataša Prosenc Stearns, 2015
Video is a part of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Nataša Prosenc Stearns - Glowing Palm (00:03:41)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Nataša Prosenc Stearns - Applause (00:01:22)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).