Vladimir Ristić - Toni Jo (0:01:50)
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
DIVA 2006
62 results in works
Vladimir Ristić - At The Lake Pavillion (0:02:15)
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Boštjan Kavčič - Nepovratno / Irreversible (0:07:32)
Production: 2006
A documentary video shot in black and white shows a little boy standing next to a river playing with rocks. The material is slowed down and paused many times. Video Irreversible uses two elements that are linked to each other and at the same time contradict one another to deal with the title. With slowed down, many times paused scenes of a child (his son) the author tries to stop the time and interfere with the process of transience. But with the symbol of river that irresistibly and undoubtedly runs by t...
Production: 2006
A documentary video shot in black and white shows a little boy standing next to a river playing with rocks. The material is slowed down and paused many times. Video Irreversible uses two elements that are linked to each other and at the same time contradict one another to deal with the title. With slowed down, many times paused scenes of a child (his son) the author tries to stop the time and interfere with the process of transience. But with the symbol of river that irresistibly and undoubtedly runs by t...
Sašo Sedlaček - Žicar 1.0 / Beggar 1.0 (0:04:33)
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Sašo Podgoršek - Anglia (0:03:51)
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.
Production: Mute Records, 2006
Video for a song Anglia by Laibach group takes a middle age interior for its set. With an established scene in which an old lady is preparing lunch it reminds us of a Vermeer painting. The idyllic scene soon turns and the happening moves into a dark cellar, where the woman keeps her locked up prisoners. Allegory of the English queen and her subjects, living of queen's attention, opens an interpretation of the video as an antihimn of the British monarchy.
Sašo Podgoršek - Marching on a Globe (0:03:17)
Production: 2006
The work is a music video for the song Marching on a Globe by Melodrom. The author combines different variations of treatment of black and white surfaces, from subtle transitions into a hazy image, to complete black and white contrasts. The abundance of techniques and strategies of the surface enables the author to place the figure of the lead singer in the centre of the video, without making it monotonous.
Production: 2006
The work is a music video for the song Marching on a Globe by Melodrom. The author combines different variations of treatment of black and white surfaces, from subtle transitions into a hazy image, to complete black and white contrasts. The abundance of techniques and strategies of the surface enables the author to place the figure of the lead singer in the centre of the video, without making it monotonous.
Tanja Lažetić - The Wrong Place (00:00:52)
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Tanja Lažetić, Dejan Habicht - No Remembrance, No Comradship (00:05:10)
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...