Ana Čigon - Brezčasje / Timelessness (0:04:03)
Subtitle: (poklon gozdu) / (compliment to the forest)
Production: Plesni studio Intakt, 2008
Dance video presents a dance show in a completely authorial way adding segments to the mere documentation. Author uses detailed shots from the woods and nature in general. We see a combination of long static shots and hand held camera manipulated with different editing effects.
Costume design: Mateja Benedetti;
Lights: Jaka Šimec;
Visual design: Ana Čigon, Nataša Tovirac;
Choreography: Nataša Tovirac;
Dancers: Maša Kagao Knez, Teja Reba, Nataša Tovirac.
DIVA 2008
45 results in works
Ana Čigon - Nezlomljiva / Unbreakable (0:01:08)
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Ana Čigon, Cristiana Arena - Real Presence (0:01:05)
Production: Ana Čigon, Cristiana Arena, 2008
This performative fiction art video places human figures in architectural niches, which freeze in different positions, eventually forming biblical iconographic motives (pieta, oranta …). Video is composed out of short and fast shots.
Production: Ana Čigon, Cristiana Arena, 2008
This performative fiction art video places human figures in architectural niches, which freeze in different positions, eventually forming biblical iconographic motives (pieta, oranta …). Video is composed out of short and fast shots.
Maja Slavec - Revaluation (00:42:19)
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Borut Savski - Multimedia. Mali (00:03:53)
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Luka Dekleva, Luka Prinčič, Miha Ciglar - Netmag08 Live (00:05:22)
Production: 2008
Netmag08 Live je multimedijski dogodek, performans interakcije signalov in napetostnih polj. Že sama postavitev določa parametre video interakcij. Intervencija umetnika, ki s svojim telom preusmerja tok elektronov iz katodne cevi v zvočni izvor. Umetnik je posredovalec zvoka in video signalov, ima vlogo media, ki omogoča komunikacijo med zvokom in video signalom in vseh estetskih rezultatov, ki iz tega izvirajo.
Production: 2008
Netmag08 Live je multimedijski dogodek, performans interakcije signalov in napetostnih polj. Že sama postavitev določa parametre video interakcij. Intervencija umetnika, ki s svojim telom preusmerja tok elektronov iz katodne cevi v zvočni izvor. Umetnik je posredovalec zvoka in video signalov, ima vlogo media, ki omogoča komunikacijo med zvokom in video signalom in vseh estetskih rezultatov, ki iz tega izvirajo.
Luka Dekleva - Singing Bridges EDIT (00:04:14)
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.
Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Polonca Lovšin - Krave iz mesta / City Cows (0:05:12)
Production: KUD Obrat & Moderna galerija Ljubljana, 2008
'Krave iz mesta' je humorna dokumentarna video animacija, v kateri avtorica kombinira različne tehnične in formalne pristope: stop motion animacijo, fotografijo in video. Delo, ki se je odvijalo v sklopu umetniške akcije v kavarni SEM (kjer so obiskovalci poleg video animacije dobili tudi domače mleko iz bližnje kmetije), predstavlja izsledke umetniške raziskave o kmetijah znotraj ožjega področja mesta Ljubljane. Po začetnem filmičnem kadru, ki iz hleva preide na široko sliko me...
Production: KUD Obrat & Moderna galerija Ljubljana, 2008
'Krave iz mesta' je humorna dokumentarna video animacija, v kateri avtorica kombinira različne tehnične in formalne pristope: stop motion animacijo, fotografijo in video. Delo, ki se je odvijalo v sklopu umetniške akcije v kavarni SEM (kjer so obiskovalci poleg video animacije dobili tudi domače mleko iz bližnje kmetije), predstavlja izsledke umetniške raziskave o kmetijah znotraj ožjega področja mesta Ljubljane. Po začetnem filmičnem kadru, ki iz hleva preide na široko sliko me...
Andreja Džakušič - Development of Compassion (00:06:26)
Subtitle: Scrubbing
Production: 2008
Video documentation of performance made at ZDSLU Gallery in Ljubljana in 2008. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sadness and fear on white pillows. In the se...
Subtitle: Scrubbing
Production: 2008
Video documentation of performance made at ZDSLU Gallery in Ljubljana in 2008. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sadness and fear on white pillows. In the se...