Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
DIVA Art video
673 results in works
Zemira Alajbegović - Marko Peljhan's Invisible Territory (00:49:12)
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Zemira Alajbegović - P.O.R. (00:00:29)
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Sašo Sedlaček, Lada Cerar - Toilets / Made in India (0:05:15)
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Production: 2004
Video documents the making of gobelins in Indian streets. The work is a part of a bigger project, where the other part was an exhibition of gobelins with the motifs of toilets. Video is accompanied by occasional sounds of the street, in the foreground is the constant sound of the sawing machine embroidering the motifs.
Gorazd Krnc - No Title Yet (00:08:30)
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Gorazd Krnc - Tri vrata (00:03:11)
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Gorazd Krnc - Five AM. Light (00:04:32)
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Gorazd Krnc - 14° 31' E 46° 02' N (00:09:42)
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Gorazd Krnc - Fiksacijske točke mačke (00:01:51)
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
