Uršula Berlot - Suspension (Circle-Square) (06:42)
Production: Uršula Berlot, 2019
Material objects (sculptures) are projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass, and gravity. (Source: Uršula Berlot)
DIVA Experimental video
324 results in works
Uršula Berlot - Orcinus Orca (06:08)
Production: Uršula Berlot, 2019
The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured the artist’s imaginations of coldness and isolation as well as visions of shiny spectacles produced by sharpened light projected into immersive underwater deepness. Killer Whale (Orcinus Orca), one of Arctic animals threatened by extinction caused by environmental changes, is a metaphorical expression of icy beauty and power grounded...
Production: Uršula Berlot, 2019
The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured the artist’s imaginations of coldness and isolation as well as visions of shiny spectacles produced by sharpened light projected into immersive underwater deepness. Killer Whale (Orcinus Orca), one of Arctic animals threatened by extinction caused by environmental changes, is a metaphorical expression of icy beauty and power grounded...
Uršula Berlot - Cast to the Bottom (02:38)
Production: Uršula Berlot, 2017
Video created for the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imaginary underwater landscape. Landscape segments are reminiscent of Berlot’s previously realized works of art – the topography of magnetic fluids and light sculptures. The dreamlike quality of video comes from the uncertainty of recognizing tem...
Production: Uršula Berlot, 2017
Video created for the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imaginary underwater landscape. Landscape segments are reminiscent of Berlot’s previously realized works of art – the topography of magnetic fluids and light sculptures. The dreamlike quality of video comes from the uncertainty of recognizing tem...
Uršula Berlot - Liquid Solidity (05:06)
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Production: Uršula Berlot, 2017
The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure which periodically resembles a virus structure, complex proteins or carbon fullerenes, is being decomposed, transformed and re-shaped in a string of regulatory processes. The fusion of elements according to the rule of shape and anti-shape (the key–lock principle), chain formation, deformation with multiplied symmetry, or a simulation of the Brownian motion crea...
Uršula Berlot - Fluid Topography (06:33)
Production: Uršula Berlot, 2014
The recording of dynamic forms of magnetic fluids that are produced by invisible magnetic fields directs the experience of the material in relation to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being transposed into a digital environment operate as macro-scale phenomena that simulate characteristics of the organic, the animate. Fluid topography acts to simulate a natural living organism or process, which by revealing the sphere of unseen magnetic physic...
Production: Uršula Berlot, 2014
The recording of dynamic forms of magnetic fluids that are produced by invisible magnetic fields directs the experience of the material in relation to the immaterial. The ferrofluid structures, which are in reality only a few centimeters in height, being transposed into a digital environment operate as macro-scale phenomena that simulate characteristics of the organic, the animate. Fluid topography acts to simulate a natural living organism or process, which by revealing the sphere of unseen magnetic physic...
Uršula Berlot - Bodyscope (02:52)
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Uršula Berlot - Fibertract Kaleidoscope (00:38)
Production: Uršula Berlot, 2012
Kaleidoskopski video temelji na radioloških posnetkih avtoričinih možganov. Posnetek nevronskih povezav, ki jih prikazuje traktografija (difuzijska MRI) je računalniško prezrcaljen in projiciran na dve vzporedni plošči pleksi stekla na katerih je natisnjen abstrahiran vzorec traktografskega posnetka. Prostorska instalacija s projekcijo ustvari volumetrično nematerialno svetlobno telo v gibanju. Sodelovanje: prof. dr. Blaž Koritnik, Klinični inštitut za radiologijo, U...
Production: Uršula Berlot, 2012
Kaleidoskopski video temelji na radioloških posnetkih avtoričinih možganov. Posnetek nevronskih povezav, ki jih prikazuje traktografija (difuzijska MRI) je računalniško prezrcaljen in projiciran na dve vzporedni plošči pleksi stekla na katerih je natisnjen abstrahiran vzorec traktografskega posnetka. Prostorska instalacija s projekcijo ustvari volumetrično nematerialno svetlobno telo v gibanju. Sodelovanje: prof. dr. Blaž Koritnik, Klinični inštitut za radiologijo, U...
Uršula Berlot - Vanitas – Self-Portrait (01:54)
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Uršula Berlot - Introspection (01:52)
Subtitle: Kaleidoscopic Gaze, Spiral Floating, Butterfly
Production: Uršula Berlot, 2010
Video installation Introspection composed of three video installations/projections and sound. The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an optic dispositive inducing a four-dimensional spatial-temporal perceptive experience in the viewer (by alternating the concave and convex effects of spiral swirling). The kaleidoscopic pattern of the video ai...
Subtitle: Kaleidoscopic Gaze, Spiral Floating, Butterfly
Production: Uršula Berlot, 2010
Video installation Introspection composed of three video installations/projections and sound. The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an optic dispositive inducing a four-dimensional spatial-temporal perceptive experience in the viewer (by alternating the concave and convex effects of spiral swirling). The kaleidoscopic pattern of the video ai...
Luksuz produkcija - Cave (02:35)
Production: Luksuz produkcija, 2019
The short experimental film takes us on a visual and audio experience of a train ride. The narrator tells us the story of her panic attack during a trip to a Nick Cave concert and how she managed to handle the situation. (Source: Luksuz produkcija) Author: Albiana Morina
Production: Luksuz produkcija, 2019
The short experimental film takes us on a visual and audio experience of a train ride. The narrator tells us the story of her panic attack during a trip to a Nick Cave concert and how she managed to handle the situation. (Source: Luksuz produkcija) Author: Albiana Morina