Narcis Kantardžić - V Ohridu (00:15:51)
Production: Rusomir Bogdanovski, 1989
Video delo bosanskega umetnika Narcisa Kandardžića, ki je nastalo na likovni koloniji v Makedoniji. Video prikazuje umetnika pred televizijskim sprejemnikov, kjer se predvaja različno vnaprej posneto gradivo, v katerega avtor posega.
DIVA civilization
58 results in works
Valérie Wolf Gang - La vue à travers la fênetre (A View through The Window) (00:19:49)
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Katjuša Kovačič - Njavke: Crossed-Eyed Gazes (00:14:53)
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Katjuša Kovačič - Seeking Balance (00:08:40)
Production: Mesto žensk / City of Women, 2009
The author, Katjuša Kovačič, in her movement debut, Seeking Balance, seeks balance in a moving, expressive, cultural, and gravitational sense; she is trying to connect different entities into a whole, and in this manner to create a story of co-existence, transition, and complementation.
Production: Mesto žensk / City of Women, 2009
The author, Katjuša Kovačič, in her movement debut, Seeking Balance, seeks balance in a moving, expressive, cultural, and gravitational sense; she is trying to connect different entities into a whole, and in this manner to create a story of co-existence, transition, and complementation.
Zvonka T Simčič, Valérie Wolf Gang - Kombinat (trailer) (00:44:00 (trailer, 00:01:30))
Production: Zavod CCC & Zavod NOVI KOMBINAT, 2016
Female choir Kombinat is a group of women, which gathered on the 'Slovenian Day of resistance', 27th of April 2008 on the founding meeting in old factory Rog, Ljubljana, and decided that they will sing the worldwide songs of rebellion. Kombinat became a mascote of the Slovenian protests. They were singing with people and people sung with them. In this period a new song was made by Ksenija Jus, one of the members of Kombinat, called 'The rebellion song' and it became an anthem for Sloveni...
Production: Zavod CCC & Zavod NOVI KOMBINAT, 2016
Female choir Kombinat is a group of women, which gathered on the 'Slovenian Day of resistance', 27th of April 2008 on the founding meeting in old factory Rog, Ljubljana, and decided that they will sing the worldwide songs of rebellion. Kombinat became a mascote of the Slovenian protests. They were singing with people and people sung with them. In this period a new song was made by Ksenija Jus, one of the members of Kombinat, called 'The rebellion song' and it became an anthem for Sloveni...
Valérie Wolf Gang - The Luxembourg Monster (00:10:05)
Production: 2013
"The Luxembourg monster" is a video installation which combines different artistic techniques (graffiti, video, sound). It is also an art piece which plays with the perception of the public: What is the actual monster in the installation? Artists Valerie Wolf Gang researches new surroundings and culture in Luxembourg and questions locals about the personal and economic problems they face in their country. As a representative democracy with a constitutional monarch, Luxembourg is headed by...
Production: 2013
"The Luxembourg monster" is a video installation which combines different artistic techniques (graffiti, video, sound). It is also an art piece which plays with the perception of the public: What is the actual monster in the installation? Artists Valerie Wolf Gang researches new surroundings and culture in Luxembourg and questions locals about the personal and economic problems they face in their country. As a representative democracy with a constitutional monarch, Luxembourg is headed by...
Nataša Prosenc Stearns - Nightmares of the New World (00:07:31)
Subtitle: Humans Crossing, Deafening Whispers, Alternative Facts in Nucleus Brass
Production: 2017
Series of three single-channel videos - Humans Crossing, Deafening Whispers / Alternative Facts, Nucleus Brass. The work of the video artist and filmmaker Nataša Prosenc Stearns is never directly illustrative, but her new series Nightmares of the New World is clearly a reaction to the bleak socio-political climate. The first three videos of the series: Humans Crossing, Deafening Whispers / Alternative Facts and Nucleus Brass, address the uncertainty of our physicality from an embryo to a robot, the rising...
Subtitle: Humans Crossing, Deafening Whispers, Alternative Facts in Nucleus Brass
Production: 2017
Series of three single-channel videos - Humans Crossing, Deafening Whispers / Alternative Facts, Nucleus Brass. The work of the video artist and filmmaker Nataša Prosenc Stearns is never directly illustrative, but her new series Nightmares of the New World is clearly a reaction to the bleak socio-political climate. The first three videos of the series: Humans Crossing, Deafening Whispers / Alternative Facts and Nucleus Brass, address the uncertainty of our physicality from an embryo to a robot, the rising...
Zemira Alajbegović - Urbanaria (00:01:50)
Subtitle: TV oddaja / TV show
Production: TV Slovenija, 1996
Statement by Barbara Borčić, one of the curators of Urnbanaria exhibition concerning a two-day event Presentation of Metelkova (conference, discussion, guided tours, screenings) on February 14th and 15th, 1996. Urbanaria was the first annual exhibition of the Soros Center for Contemporary Arts - Ljubljana and it ran in Ljubljana from February 1994 to November 1997. Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 prop...
Subtitle: TV oddaja / TV show
Production: TV Slovenija, 1996
Statement by Barbara Borčić, one of the curators of Urnbanaria exhibition concerning a two-day event Presentation of Metelkova (conference, discussion, guided tours, screenings) on February 14th and 15th, 1996. Urbanaria was the first annual exhibition of the Soros Center for Contemporary Arts - Ljubljana and it ran in Ljubljana from February 1994 to November 1997. Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 prop...
Miha Vipotnik - Time of Aliquot Parts (12:00)
Production: Slovenski etnografski muzej, 2013
Video/Film was commissioned for the 90th anniversary of Slovene Ethnographic Museum and it shows the wealth of museum’s collections from different geographical regions. It uses various audiovisual material: film and audio documents/footages are reused and edited to form audiovisual composition that presents through fragments a story of culture and creates material and immaterial fusion of memory. Video Words is a word prologue to the film Time of Aliquot Parts It is a kind of epigraph and articulation,...
Production: Slovenski etnografski muzej, 2013
Video/Film was commissioned for the 90th anniversary of Slovene Ethnographic Museum and it shows the wealth of museum’s collections from different geographical regions. It uses various audiovisual material: film and audio documents/footages are reused and edited to form audiovisual composition that presents through fragments a story of culture and creates material and immaterial fusion of memory. Video Words is a word prologue to the film Time of Aliquot Parts It is a kind of epigraph and articulation,...
Nika Oblak & Primož Novak - Border Mover (00:02:45)
Production: Co-Production/Koproducent: MMCA Residency Changdong, National Museum of Modern and Contemporary Art, Seul, Južna Koreja, 2015
'Border Mover' is a kinetic video installation made in co-production with MMCA Residency Changdong, National Museum of Modern and Contemporary Art, Seoul, South Korea, dealing with contemporary individual being trapped by overwhelming technology and routine of our everyday existence, which more and more resembles monotony of operating machines. It is playing with ideas of physical and psychical boundaries as the consequence of capitalistic, neoliberal globalization, where it seems dreams are impos...
Production: Co-Production/Koproducent: MMCA Residency Changdong, National Museum of Modern and Contemporary Art, Seul, Južna Koreja, 2015
'Border Mover' is a kinetic video installation made in co-production with MMCA Residency Changdong, National Museum of Modern and Contemporary Art, Seoul, South Korea, dealing with contemporary individual being trapped by overwhelming technology and routine of our everyday existence, which more and more resembles monotony of operating machines. It is playing with ideas of physical and psychical boundaries as the consequence of capitalistic, neoliberal globalization, where it seems dreams are impos...