Uršula Berlot - Acentria (04:54)
Production: DiN Records, 2022
The video is dedicated to a friend, renowned Slovenian composer, academic and pianist JM, who passionately celebrated the miracle of music and life. RIP JM (1926–2022). (Source: Uršula Berlot)
Music video for Acentria by Scanner (Robin Rimbaud), production DiN Records, 2022.
DIVA distorsion
37 results in works
Uršula Berlot - Another Aircraft (05:28)
Production: DiN Records, 2022
The video takes the viewer on an imaginary fantasy journey. Fragments of figures dissolve and mesh with abstract patterns in motion, simulating the body’s inner dynamics, from the corporeal – like the structure of blood vessels – to subtle psycho-emotional and cerebral spaces and dynamics. (Source: Uršula Berlot) Music video for Another Aircraft by Scanner (Robin Rimbaud), production DiN Records, 2022.
Production: DiN Records, 2022
The video takes the viewer on an imaginary fantasy journey. Fragments of figures dissolve and mesh with abstract patterns in motion, simulating the body’s inner dynamics, from the corporeal – like the structure of blood vessels – to subtle psycho-emotional and cerebral spaces and dynamics. (Source: Uršula Berlot) Music video for Another Aircraft by Scanner (Robin Rimbaud), production DiN Records, 2022.
Nika Tomažič - On Emotions and the Second Law of Thermodynamics (04:56)
Production: A.V.A. – Akademija za vizualne umetnosti, 2019
Emotions manipulate time. According to the Second Law of Thermodynamics, what we call “time” is nothing more than our experience of entropy – gradual decay. It’s an experience unique to man, an illusion whose duration and relativity are dictated by our feelings. The film premiered at the FeKK Short Film Festival in Ljubljana in 2020 and won the FIPRESCI Award for Best Slovenian Film. (Source: Nika Tomažič)
Production: A.V.A. – Akademija za vizualne umetnosti, 2019
Emotions manipulate time. According to the Second Law of Thermodynamics, what we call “time” is nothing more than our experience of entropy – gradual decay. It’s an experience unique to man, an illusion whose duration and relativity are dictated by our feelings. The film premiered at the FeKK Short Film Festival in Ljubljana in 2020 and won the FIPRESCI Award for Best Slovenian Film. (Source: Nika Tomažič)
Nika Tomažič - I, deconstructed (07:50)
Production: Nika Tomažič, 2024
An expedition into the nature of man.Experiencing the Self as a continuous entity is an illusion. The Self is complex and multifaceted, constantly redefined within interactions with others. It's a construction with a multitude of states and aspects, which are often contradictory. Human nature is neither all good nor all bad; the contradiction itself is that which is inherent to the human experience. (Source: Nika Tomažič)
Production: Nika Tomažič, 2024
An expedition into the nature of man.Experiencing the Self as a continuous entity is an illusion. The Self is complex and multifaceted, constantly redefined within interactions with others. It's a construction with a multitude of states and aspects, which are often contradictory. Human nature is neither all good nor all bad; the contradiction itself is that which is inherent to the human experience. (Source: Nika Tomažič)
Uršula Berlot - How the Brain Creates the Mind? (05:01)
Production: Uršula Berlot, 2025
Video, ki temelji na radioloških posnetkih možganov avtorice (MRI, traktografija, 2012) digitalno preoblikuje znanstvene podatke v dinamične abstraktne oblike in vzorce, ki odražajo nematerialna miselna in afektivna stanja. S prepletanjem vizualnih in verbalnih elementov, delo spodbuja k razmisleku o odnosu med umom, čustvi in možgansko fiziološko osnovo teh mentalnih stanj.Zahvala: Klinični inštitut za radiologijo, Univerzitetni Klinični Center v Ljubljani (Vir: Uršula Be...
Production: Uršula Berlot, 2025
Video, ki temelji na radioloških posnetkih možganov avtorice (MRI, traktografija, 2012) digitalno preoblikuje znanstvene podatke v dinamične abstraktne oblike in vzorce, ki odražajo nematerialna miselna in afektivna stanja. S prepletanjem vizualnih in verbalnih elementov, delo spodbuja k razmisleku o odnosu med umom, čustvi in možgansko fiziološko osnovo teh mentalnih stanj.Zahvala: Klinični inštitut za radiologijo, Univerzitetni Klinični Center v Ljubljani (Vir: Uršula Be...
Uršula Berlot - Space Microscopy (version I, Krakow) (02:45)
Production: Uršula Berlot, 2025
Video Space Microscopy explores how we see and experience space and matter. By interweaving video recordings of the gallery space with microscopic images of materials present in the space/ of built environements—such as aluminum, concrete, steel, and glass—and 3D simulations, the work transforms microstructural topographies into abstract landscapes. It reflects on the idea of matter as a dynamic, vibrant, and unstable phenomenon, challenging the boundaries between visible and invisible, real and...
Production: Uršula Berlot, 2025
Video Space Microscopy explores how we see and experience space and matter. By interweaving video recordings of the gallery space with microscopic images of materials present in the space/ of built environements—such as aluminum, concrete, steel, and glass—and 3D simulations, the work transforms microstructural topographies into abstract landscapes. It reflects on the idea of matter as a dynamic, vibrant, and unstable phenomenon, challenging the boundaries between visible and invisible, real and...
Uršula Berlot - Space Microscopy (version II, Ljubljana) (02:47)
Production: Uršula Berlot, 2025
Video Space Microscopy explores how we see and experience space and matter. By interweaving video recordings of the gallery space with microscopic images of materials present in the space/ of built environements—such as aluminum, concrete, steel, and glass—and 3D simulations, the work transforms microstructural topographies into abstract landscapes. It reflects on the idea of matter as a dynamic, vibrant, and unstable phenomenon, challenging the boundaries between visible and invisible, real and...
Production: Uršula Berlot, 2025
Video Space Microscopy explores how we see and experience space and matter. By interweaving video recordings of the gallery space with microscopic images of materials present in the space/ of built environements—such as aluminum, concrete, steel, and glass—and 3D simulations, the work transforms microstructural topographies into abstract landscapes. It reflects on the idea of matter as a dynamic, vibrant, and unstable phenomenon, challenging the boundaries between visible and invisible, real and...
