Nataša Skušek - Heri (04:02)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega.
Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
DIVA feminism
66 results in works
Nataša Skušek - khm_khm (6:34)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Nataša Skušek - Golica (03:54)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Evelin Stermitz - Women in War (00:03:05)
Production: E.S., 2010
The artist has compiled a collage of stereotypical images of attractive women, which she found with the search tag 'women' on YouTube. The audio background is made of various reports of violence against women during wars and conflicts. A red-black color combination of the video symbolizes bloody and pornographic violence against the female body.
Production: E.S., 2010
The artist has compiled a collage of stereotypical images of attractive women, which she found with the search tag 'women' on YouTube. The audio background is made of various reports of violence against women during wars and conflicts. A red-black color combination of the video symbolizes bloody and pornographic violence against the female body.
Evelin Stermitz - The Art of Aging (00:03:29)
Production: E.S., 2011
A black and white video shows the artist's portrait against a white background. With the help of a exaggerated make-up, which creates more and more age lines on the face and neck, the artist criticizes the exploitment of a youth-obsessed culture by cosmetics industry. Names of the rejuvenating and anti-age creams and related products are scrolling at the bottom. They are red out loud by a slow and distorted voice.
Production: E.S., 2011
A black and white video shows the artist's portrait against a white background. With the help of a exaggerated make-up, which creates more and more age lines on the face and neck, the artist criticizes the exploitment of a youth-obsessed culture by cosmetics industry. Names of the rejuvenating and anti-age creams and related products are scrolling at the bottom. They are red out loud by a slow and distorted voice.
Ana Čigon - Dear Ladies, Thank You (Kapelica Gallery) (00:05:06)
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Ana Čigon - Dear Ladies, Thank You – Red Dawns (00:12:30)
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
Ana Čigon - Remembering the Others (00:45:54)
Production: Ana Čigon, Stacion - Center for Contemporary Art, Prishtina - Kosovo, Mestna galerija Ljubljana, 2015
Remembering the Others is a documentary about the meaning and power of public monuments. In the film students, artists, theoreticians and activists from Prishtina, Kosovo talk about the meaning of monuments. Which people have the privilege to be represented in monuments? Why there are almost no monuments dedicated to women in Kosovo? Which other people (marginalized groups) and stories are excluded in such monuments? The film states that if the (hi)stories of marginalized groups are hushed, and the (hi)stor...
Production: Ana Čigon, Stacion - Center for Contemporary Art, Prishtina - Kosovo, Mestna galerija Ljubljana, 2015
Remembering the Others is a documentary about the meaning and power of public monuments. In the film students, artists, theoreticians and activists from Prishtina, Kosovo talk about the meaning of monuments. Which people have the privilege to be represented in monuments? Why there are almost no monuments dedicated to women in Kosovo? Which other people (marginalized groups) and stories are excluded in such monuments? The film states that if the (hi)stories of marginalized groups are hushed, and the (hi)stor...
Ana Čigon - Ana at the Station (00:05:30)
Subtitle: Dokument eksperimentalne raziskave spletnega in fizičnega arhiva Postaja DIVA in performansa
Production: 2016
The video is a document of experimental research of the online video archive DIVA Station. In the project, the artist sought the place of her artistic practice and intertwined her creation with the work of other (women) artists in a performative way, thus contextualizing her works through an eclectic merging of written, spoken and performative quotations from both her own work and from works of other artists. The purpose of the research was to establish a critical attitude towards her own creation through t...
Subtitle: Dokument eksperimentalne raziskave spletnega in fizičnega arhiva Postaja DIVA in performansa
Production: 2016
The video is a document of experimental research of the online video archive DIVA Station. In the project, the artist sought the place of her artistic practice and intertwined her creation with the work of other (women) artists in a performative way, thus contextualizing her works through an eclectic merging of written, spoken and performative quotations from both her own work and from works of other artists. The purpose of the research was to establish a critical attitude towards her own creation through t...
Aleksandra Saška Gruden - Dialectical relationship (00:12:39)
Production:
Video work is a part of a multimedia deploy conducted in 2013 in Centralna postaja in Maribor. As a part of an exhibition the video problematizes the representation of womanliness. Video – partially edited, recorded in real time and space, follows the unveiling of our perception and the thrill at discovering new features of identities. (Source: centralnapostaja.si)
Production:
Video work is a part of a multimedia deploy conducted in 2013 in Centralna postaja in Maribor. As a part of an exhibition the video problematizes the representation of womanliness. Video – partially edited, recorded in real time and space, follows the unveiling of our perception and the thrill at discovering new features of identities. (Source: centralnapostaja.si)