Peter Cerovšek - Trails (07:00)
Production: 2015
Eksperimentalni kratki film je sestavljen iz niza kratkih sekvenc, posnetih s telefonom in kamero. Posnetki pogledov skozi okno ob potovanju z vlakom, avtobusom in gondolo se izmenjujejo z izpisovanjem besedila na temni podlagi – vsebino kratkih telefonskih sporočil. Tresoča in nemirna slika posnetkov narave se prepleta z abstraktnimi vzorci, ki jih tvori svetloba. Menjajo se letni časi in pokrajina. Glasba v podlagi prispeva k ustvarjanju nostalgičnega vzdušja. Film govori krhkosti ljubeze...
DIVA communication
49 results in works
Keiko Miyazaki - A Hole (00:01:58)
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Peter Cerovšek - Fundaments (trailer) (1:41)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
Sara Bezovšek - Sextortion (06:06)
Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
/
Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
/
Anja Medved - Sewn Memories (43:18)
Subtitle: Cross-Border Memory Collection Actio
Production: Kinoatelje, Kinokašča, 2015
In 2012, a campaign of digitization of family photos owned by locals and villagers from the neighboring village of Livek, located on the other side of the border, was carried out within the Topolova Station. On this occasion, each owner of the photo was invited to tell in front of the camera about the memory of the selected frozen moment. The villages of Topolovo and Livek used to be in constant contact, so the purpose of the project is to sew together memories that were violently broken by the border. Cro...
Subtitle: Cross-Border Memory Collection Actio
Production: Kinoatelje, Kinokašča, 2015
In 2012, a campaign of digitization of family photos owned by locals and villagers from the neighboring village of Livek, located on the other side of the border, was carried out within the Topolova Station. On this occasion, each owner of the photo was invited to tell in front of the camera about the memory of the selected frozen moment. The villages of Topolovo and Livek used to be in constant contact, so the purpose of the project is to sew together memories that were violently broken by the border. Cro...
Anja Medved - Memory Clinic Ljubljana (26:32)
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, Zavod Divja misel in MGML, 2012
In December 2012, the Vžigalica Gallery as part of the My Streets Project, hosted the Memory Clinic Ljubljana – a recording booth that invited residents of Ljubljana to select photographs taken in Ljubljana from their family albums and share the memories with others. The collection of photos and recorded memories was held at the City Museum, Ljubljana. Cross-Border Memory Collection ActionsThe purpose of memory-contributed actions is to create an open archive that evolves over time and becomes a kin...
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, Zavod Divja misel in MGML, 2012
In December 2012, the Vžigalica Gallery as part of the My Streets Project, hosted the Memory Clinic Ljubljana – a recording booth that invited residents of Ljubljana to select photographs taken in Ljubljana from their family albums and share the memories with others. The collection of photos and recorded memories was held at the City Museum, Ljubljana. Cross-Border Memory Collection ActionsThe purpose of memory-contributed actions is to create an open archive that evolves over time and becomes a kin...
Ana Nuša Dragan - Communication Gastronomy (02:45)
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Ana Nuša Dragan - Some information (01:54)
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
Ana Nuša Dragan - Because of and So (01:04)
Production: Ana Nuša Dragan, 1968
Because of and So and Some Information are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
Production: Ana Nuša Dragan, 1968
Because of and So and Some Information are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
