Peter Cerovšek - Fundaments (trailer) (1:41)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
DIVA capitalism
43 results in works
Anja Medved - Smuggler’s Confessional. Views through the Iron Curtain (21:51)
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, 2010
A customs office building on the border between two towns, two countries, two social systems, two worlds, the Romanic and the Slavic, 65 years after the end of the war. On the 20th of December with the entry of Slovenia into the Schengen area, Nova Gorica for the first time in its short history finds itself without border fences. The same night, this traumatic space transforms into a meeting place. Inside are placed a camera, a microphone, a computer, and a curtain and people from both sides of the border s...
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, 2010
A customs office building on the border between two towns, two countries, two social systems, two worlds, the Romanic and the Slavic, 65 years after the end of the war. On the 20th of December with the entry of Slovenia into the Schengen area, Nova Gorica for the first time in its short history finds itself without border fences. The same night, this traumatic space transforms into a meeting place. Inside are placed a camera, a microphone, a computer, and a curtain and people from both sides of the border s...
Zmago Lenardič - NeoDance (12:39)
Production: Zmago Lenardič, 2010
Production: Zmago Lenardič, 2010
Vesna Bukovec - Kaj je nevarnost? (02:00)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Vesna Bukovec - What is danger? (02:00)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
SCCA-Ljubljana, Luksuz produkcija - Faking keš (Balans) (04:16)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Ana Likar - Myriad Tentacles Will be Needed (Again and Again) (12:40)
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Sara Bezovšek - www.s-n-d.si (13:39)
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Vesna Bukovec - Briga me ... / I can't be bothered ... (03:09)
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...