Noemi Veberič Levovnik - You go to my head / Screen No. 1 (00:00:24)
Production:
DIVA sound
49 results in works
OFFTIR - TIR stream (01:36:32)
Subtitle: AKS KLET - TIR
Production: 2013
Video performans TIR stream je del projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video performans je bil striman v Projektno sobo SCCA iz TIR-a (prostor na Hrvatskem trgu v Ljubljani).
Subtitle: AKS KLET - TIR
Production: 2013
Video performans TIR stream je del projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video performans je bil striman v Projektno sobo SCCA iz TIR-a (prostor na Hrvatskem trgu v Ljubljani).
OFFTIR - LRLRLLRRLRRLLR (00:09:37)
Production: 2013
Video performans LRLRLLRRLRRLLR je del projekta Liminale, ki je potekal od 20. 6. do 22. 7. v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video performans, ki so ga člani Društva OFFTIR izvedli in posneli pred odprtjem razstave Liminale, je bil na razstavi projeciran na ograjo, ki loči stavbo Metelkove 6 od muzejske ploščadi. Vmesni prostor, začasno vzpostavljen kot vrt, je postal metafora za prostor, ki ni ne tu ne tam, metafora za izkušnjo vmesnosti. Ali kot je na odprtju komentiral e...
Production: 2013
Video performans LRLRLLRRLRRLLR je del projekta Liminale, ki je potekal od 20. 6. do 22. 7. v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video performans, ki so ga člani Društva OFFTIR izvedli in posneli pred odprtjem razstave Liminale, je bil na razstavi projeciran na ograjo, ki loči stavbo Metelkove 6 od muzejske ploščadi. Vmesni prostor, začasno vzpostavljen kot vrt, je postal metafora za prostor, ki ni ne tu ne tam, metafora za izkušnjo vmesnosti. Ali kot je na odprtju komentiral e...
SCCA-Ljubljana - Video art in videospot (01:24:02)
Subtitle: Okrogla miza v okviru projekta/razstave SCCA LAB / FeKK
Production: SCCA-Ljubljana, 2017
Okrogla miza v okviru projekta/razstave SCCA LAB o videospotih v 80. letih in danes, organizirana na festivalu kratkega filma FeKK leta 2017 (ZVOČNI POSNETEK). Sodelujoči: Neven A. Korda, Barbara Borčić, Matevž Jerman, Maja Prelog, Sašo Štih in Pia Nikolič (moderatorka). Razstava videospotov je bila postavljena v Projektni sobi SCCA. Izbor iz arhiva Postaja DIVA: Barbara Borčić, Peter Cerovšek Izbor FeKK: Pia Nikolič
Subtitle: Okrogla miza v okviru projekta/razstave SCCA LAB / FeKK
Production: SCCA-Ljubljana, 2017
Okrogla miza v okviru projekta/razstave SCCA LAB o videospotih v 80. letih in danes, organizirana na festivalu kratkega filma FeKK leta 2017 (ZVOČNI POSNETEK). Sodelujoči: Neven A. Korda, Barbara Borčić, Matevž Jerman, Maja Prelog, Sašo Štih in Pia Nikolič (moderatorka). Razstava videospotov je bila postavljena v Projektni sobi SCCA. Izbor iz arhiva Postaja DIVA: Barbara Borčić, Peter Cerovšek Izbor FeKK: Pia Nikolič
Neža Jurman - Pez Pushing (Ljubljana) (00:10:28)
Production: Nez Pez, 2017
Nez Pez s projektom Pez Pushing s potiskanjem rolke po mestu raziskuje urbano okolje, pri tem pa izdeluje zvočno – vizualno sliko. Rolka, ki je v ta namen predelana v improviziran instrument, ki spominja na električno kitaro, deluje kot medij, skozi katerega se skozi vibracije strun in drugih okoljskih zvokov ustvarja zvok poti. Enostavna gesta, kot je potiskanje rolke, predstavlja element raziskovanja okolja, iskanja različnih situacij in naključij, ki predstavljajo vtis mesta in mestne identitet...
Production: Nez Pez, 2017
Nez Pez s projektom Pez Pushing s potiskanjem rolke po mestu raziskuje urbano okolje, pri tem pa izdeluje zvočno – vizualno sliko. Rolka, ki je v ta namen predelana v improviziran instrument, ki spominja na električno kitaro, deluje kot medij, skozi katerega se skozi vibracije strun in drugih okoljskih zvokov ustvarja zvok poti. Enostavna gesta, kot je potiskanje rolke, predstavlja element raziskovanja okolja, iskanja različnih situacij in naključij, ki predstavljajo vtis mesta in mestne identitet...
Matevž Jerman - Rain (Bombyx Lori) (04:18)
Production: Temporama, 2019
Production: Temporama, 2019
Uršula Berlot - Vanitas – Self-Portrait (01:54)
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Uršula Berlot - Introspection (01:52)
Subtitle: Kaleidoscopic Gaze, Spiral Floating, Butterfly
Production: Uršula Berlot, 2010
Video installation Introspection composed of three video installations/projections and sound. The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an optic dispositive inducing a four-dimensional spatial-temporal perceptive experience in the viewer (by alternating the concave and convex effects of spiral swirling). The kaleidoscopic pattern of the video ai...
Subtitle: Kaleidoscopic Gaze, Spiral Floating, Butterfly
Production: Uršula Berlot, 2010
Video installation Introspection composed of three video installations/projections and sound. The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an optic dispositive inducing a four-dimensional spatial-temporal perceptive experience in the viewer (by alternating the concave and convex effects of spiral swirling). The kaleidoscopic pattern of the video ai...
Agnes Momirski - Vala (2 channel video) (10:16)
Production: 2017
The Vala project experiments with the linguistic and vocal registers of female voices that are used in interfaces and AI development. Vala is an AI who takes us on a hypnotic mindfulness journey, during which her instructional voice begins intertwining with her sensual voice. The name Vala comes from Nordic mythology, where she is the female shaman, and from Blake's mythological poetry, where she's the representation of nature. Focusing on the archetypal female roles and their representations in fashion a...
Production: 2017
The Vala project experiments with the linguistic and vocal registers of female voices that are used in interfaces and AI development. Vala is an AI who takes us on a hypnotic mindfulness journey, during which her instructional voice begins intertwining with her sensual voice. The name Vala comes from Nordic mythology, where she is the female shaman, and from Blake's mythological poetry, where she's the representation of nature. Focusing on the archetypal female roles and their representations in fashion a...