Marijan Osole - Max, Irma Mežnarič - Linije sile (0:04:18)
Production: Škuc - Forum, 1983
Video documents alternative fashion show by a group of artists (Mojca Pungerčar, Lidija Bernik, Tanja Lakovnik, Lela B. Njatin) carried out in 1983 in Škuc Gallery. Creations as well as music accompanying the video, are formalistic and futuristic. Simple montage combines wide shots, close ups of model's faces and details of the dresses.
DIVA subculture /alternative culture
57 results in works
Barbara Borčić, Irma Mežnarič - Back to the USA (00:20:33)
Production: Škuc - Forum, 1984
Documentary about the "Back to the USA" exhibition project by R Irwin S (>Irwin) in Skuc Gallery in April 1984: Marko Kovačič, Dušan Mandič, Andrej Savski, Bojan Štokelj, Roman Uranjek, Borut Vogelnik. With the selected works of the American artists from the the original "Back to the USA" exhibition which toured several Western European capitals in 1983 and 1984, it was staged as a reconstruction of this renowned group exhibition. Through video recordings, photographs, slides and...
Production: Škuc - Forum, 1984
Documentary about the "Back to the USA" exhibition project by R Irwin S (>Irwin) in Skuc Gallery in April 1984: Marko Kovačič, Dušan Mandič, Andrej Savski, Bojan Štokelj, Roman Uranjek, Borut Vogelnik. With the selected works of the American artists from the the original "Back to the USA" exhibition which toured several Western European capitals in 1983 and 1984, it was staged as a reconstruction of this renowned group exhibition. Through video recordings, photographs, slides and...
Jane Štravs - Jane Štravs (00:05:30)
Production: ATV, 1987
Video montaža Štravsovih fotografij (Borghesia, Laibach, Videosex...) z glasbenimi, tekstovnimi in vizualnimi intervencijami. (vir: Š-F)
Production: ATV, 1987
Video montaža Štravsovih fotografij (Borghesia, Laibach, Videosex...) z glasbenimi, tekstovnimi in vizualnimi intervencijami. (vir: Š-F)
Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Marko A. Kovačič - Casus belli (video performance) (00:04:54)
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Marko A. Kovačič - Casus belli (film) (00:13:37)
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Matevž Jerman, Peter Cerovšek - Ljubljana je Berlin (SBO) (03:18)
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Zemira Alajbegović, Neven Korda - Podoba 2: Marijan Osole - Max (00:15:21)
Production: Kanal A, 1992
The second from the series Podoba features video artist, editor, and producer Marijan Osole - Max. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television (1992–1993). The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič.
Production: Kanal A, 1992
The second from the series Podoba features video artist, editor, and producer Marijan Osole - Max. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television (1992–1993). The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič.
Zemira Alajbegović, Neven Korda - Podoba 1: ŠKUC Forum (00:25:12)
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
The program consists of fragments of the numerous videotapes (documentary videos, videos d'auteur, and video clips) that were made by the protagonists of "the Ljubljana alternative scene" in the 1980s. They were all produced within the ŠKUC-Forum Video Production, the only independent production of the time, which acquired a specific position within the Slovene cultural context and cut deeply into the social consciousness. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Ne...
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
The program consists of fragments of the numerous videotapes (documentary videos, videos d'auteur, and video clips) that were made by the protagonists of "the Ljubljana alternative scene" in the 1980s. They were all produced within the ŠKUC-Forum Video Production, the only independent production of the time, which acquired a specific position within the Slovene cultural context and cut deeply into the social consciousness. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Ne...