Zmago Lenardič - Waiting for Changes (0:32:03)
Production: Zmago Lenardič, 2007
In the video, the author presents documentary-experimental images of the erupting volcano Etna in Sicily. The scene is almost static, showing a volcano that was active again after a long period, and the author found himself at the foot of the mountain at that time. The video defines the kinematic experience supported by dramatic music from which media space-time emerges. (Source: DIVA)
DIVA Works
1174 results in works
Miha Vipotnik - Človek poslušanja (19:18)
Production: RTV Slovenija, 2008
Eksperimentalna video-zvočna kompozicija je portret komponista Bora Turela, enega najvidnejših slovenskih skladateljev eksperimentalne in elektroakustične glasbe. Avtor se prek dela skladatelja ukvarja z zvokom v povezavi in primerjavi s sliko, ga raziskuje in ugotavlja njegov pomen. Glasbena partitura postane del vizualizacije, kjer tekste, ki se izpisujejo po ekranu, animirajo vizualne senzacije raznih oblik in črkovnih sistemov. Ti neprestano proizvajajo in ustvarjajo nove anagrame, besede, mis...
Production: RTV Slovenija, 2008
Eksperimentalna video-zvočna kompozicija je portret komponista Bora Turela, enega najvidnejših slovenskih skladateljev eksperimentalne in elektroakustične glasbe. Avtor se prek dela skladatelja ukvarja z zvokom v povezavi in primerjavi s sliko, ga raziskuje in ugotavlja njegov pomen. Glasbena partitura postane del vizualizacije, kjer tekste, ki se izpisujejo po ekranu, animirajo vizualne senzacije raznih oblik in črkovnih sistemov. Ti neprestano proizvajajo in ustvarjajo nove anagrame, besede, mis...
Tanja Vujinović - Extagram-ST807 (0:03:15)
Production: Exstat/Ultramono, 2007
Extagram/Oscilo is devised as a digital library of recycled frequencies, anthropomorphic shapes, mutating glitches, flux mapping, digital vibrations, and trajectories of test-signals and particles of toy sounds. (Source: Tanja Vujinović)
Production: Exstat/Ultramono, 2007
Extagram/Oscilo is devised as a digital library of recycled frequencies, anthropomorphic shapes, mutating glitches, flux mapping, digital vibrations, and trajectories of test-signals and particles of toy sounds. (Source: Tanja Vujinović)
Ana Sluga - Away (0:01:13)
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Ana Sluga - Still Life II (00:02:30)
Production: 2011
Statičen posnetek travnika z drevesi v jesenskem jutru. Megla se počasi dviga in svetloba se komaj zaznavno spreminja. V podlagi se vrti posnetek intervjuja z znanim ekonomistom Miltonom Friedmanom, zagovornikom prostega trga in liberalnega kapitalizma. Friedman razlaga o štirih načinih porabe in skrbnosti z upravljanjem denarja: lasten denar porabiš zase, lasten denar porabiš za druge, tuj denar porabiš zase in tuj denar porabiš za druge. V kadru vidimo več dreves. Drug poleg drugega v vrsti st...
Production: 2011
Statičen posnetek travnika z drevesi v jesenskem jutru. Megla se počasi dviga in svetloba se komaj zaznavno spreminja. V podlagi se vrti posnetek intervjuja z znanim ekonomistom Miltonom Friedmanom, zagovornikom prostega trga in liberalnega kapitalizma. Friedman razlaga o štirih načinih porabe in skrbnosti z upravljanjem denarja: lasten denar porabiš zase, lasten denar porabiš za druge, tuj denar porabiš zase in tuj denar porabiš za druge. V kadru vidimo več dreves. Drug poleg drugega v vrsti st...
Martina Bastarda - TV dražba / TV Auction (0:59:44)
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Martina Bastarda - Umetniški projekt (01:30:00)
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Tomaž Furlan - Wear I (00:03:23)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Uršula Berlot - Attractions (0:56:43)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Uršula Berlot - Pulsation (0:02:41)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)