Nataša Prosenc Stearns - Code L – Fragments (00:59)
Production: Nataša Prosenc Stearns, 2019
Code L - Fragments is a video installation created by two synchronized projections onto transparent screens. They integrate shadows and silhouettes of visitors and reflections of the architectural elements into the body of the installation. What emerges is a space-inside-of-space into which the visitors enter. According to the curator Peter Tomaz Dobrila, “The artist used to place humans at the center of the natural environment in her earlier works, reappropriating the image of the human bo...
DIVA intimacy
64 results in works
Nataša Prosenc Stearns - Dreamscape #1 – Lovers (07:23)
Production: Nataša Prosenc Stearns, 2019
Dreamscape #1 – Lovers is a moving collage, which integrates human body with the organic world. The process of layering connects visual elements and leads to fragments of narration. Inspired by Fragments of Lover's Discourse by Roland Barthes, the video plows into elusive substance of fantasies and dreams of lovers. Music from the opera Code L by Milko Lazar. (Source: Nataša Prosenc Stearns)
Production: Nataša Prosenc Stearns, 2019
Dreamscape #1 – Lovers is a moving collage, which integrates human body with the organic world. The process of layering connects visual elements and leads to fragments of narration. Inspired by Fragments of Lover's Discourse by Roland Barthes, the video plows into elusive substance of fantasies and dreams of lovers. Music from the opera Code L by Milko Lazar. (Source: Nataša Prosenc Stearns)
Nataša Prosenc Stearns - Untitled, 27 March 2020 (04:20)
Production: Nataša Prosenc Stearns, 2020
Video meditation created in isolation of a pandemic. For years, the artist has been recording and archiving video and audio material with ideas that she later articulated and edited into videos, films, and installations. The video is designed for vertical projection and is the first of a series of works emerging in an atmosphere of global health crisis and social distancing. (Source: Nataša Prosenc Stearns)
Production: Nataša Prosenc Stearns, 2020
Video meditation created in isolation of a pandemic. For years, the artist has been recording and archiving video and audio material with ideas that she later articulated and edited into videos, films, and installations. The video is designed for vertical projection and is the first of a series of works emerging in an atmosphere of global health crisis and social distancing. (Source: Nataša Prosenc Stearns)
Lealudvik - Fish Love (13:15)
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Lealudvik - Safe Haven (02:30)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video shows the author, this time in the role of a dominatrix...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video shows the author, this time in the role of a dominatrix...
Lealudvik - Safe Haven II (02:01)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video is full of glitches creating notches, fractures, and un...
Lealudvik - I would go poof! (02:04)
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Lealudvik - In the waters on Leviathan I would go poof! (00:58)
Production: Lealudvik, 2017
The work is related to the project I would go poof! Here instead of a forest, the sea is the background. The video is a 20 second loop that repeats several times. It consists of three short sequences, each also in an endless loop. All sequences are full of glitches, which cause the disintegration of the image and represent a constitutive element of the work. The graphic sign drawn in the first sequence is the occult symbol of Leviathan from the title of the work. The video was part of the exhibition Wa...
Production: Lealudvik, 2017
The work is related to the project I would go poof! Here instead of a forest, the sea is the background. The video is a 20 second loop that repeats several times. It consists of three short sequences, each also in an endless loop. All sequences are full of glitches, which cause the disintegration of the image and represent a constitutive element of the work. The graphic sign drawn in the first sequence is the occult symbol of Leviathan from the title of the work. The video was part of the exhibition Wa...
Lealudvik - In Two (01:38)
Production: Lealudvik, 2016
In the creation of our work, we drew the greatest influence from Karel Zelenko's policy or his approach to the creative process. In his view that the main element of his graphics is drawing itself and not experimenting with the medium, we recognized a parallel with our approach to video, where we do not try to look for the capabilities of the medium, but use the medium for visualization.In analyzing Zelenko's oeuvre, we were influenced by his figurativeness, placing human at the center of events, fascinatio...
Production: Lealudvik, 2016
In the creation of our work, we drew the greatest influence from Karel Zelenko's policy or his approach to the creative process. In his view that the main element of his graphics is drawing itself and not experimenting with the medium, we recognized a parallel with our approach to video, where we do not try to look for the capabilities of the medium, but use the medium for visualization.In analyzing Zelenko's oeuvre, we were influenced by his figurativeness, placing human at the center of events, fascinatio...
Urška Aplinc - sara-grieg-chocolate (00:16:55)
Production: U.A., 2015
Avtorica uporabi domači videoposnetek, ki ga je posnela njena mlajša sestra v avtu. Surov material iz kamere, ki je nastal kot otroška igra s kamero, je hkrati spontana zabeležka nekega trenutka v času in prostoru. Umetnica s podrobno analizo posnetka (glej dodatno besedilo) raziskuje dva aspekta, prvi je vezan na telo in njegovo manifestacijo skozi glas in snemanje, drugi pa na vmesnost videa, ki beleži preplet otroške igre, momentov nadzora in usmerjanja. Video je bil predstavljen...
Production: U.A., 2015
Avtorica uporabi domači videoposnetek, ki ga je posnela njena mlajša sestra v avtu. Surov material iz kamere, ki je nastal kot otroška igra s kamero, je hkrati spontana zabeležka nekega trenutka v času in prostoru. Umetnica s podrobno analizo posnetka (glej dodatno besedilo) raziskuje dva aspekta, prvi je vezan na telo in njegovo manifestacijo skozi glas in snemanje, drugi pa na vmesnost videa, ki beleži preplet otroške igre, momentov nadzora in usmerjanja. Video je bil predstavljen...