Agnes Momirski - siXren (verbum medicinae) (37:00)
Production: MGLC Ljubljana, 2020
siXren (verbum medicinae) project is inspired by models of ancient healing rhetorics and verbal formulas, which serve to establish a new relationship with (inner) nature in the coming era of posthumanity, and inform the current sonic imaginary in our techno-environment with poetic and healing sensibility.
Ancient linguistic / sound patterns were considered as healing transformative and medicinal agents, and as the missing link between man and nature. Practices such as ancient Greek rhetorics, word magic,...
DIVA sound
49 results in works
Agnes Momirski - Vala (film) (14:09)
Production: 2017
The Vala film experiments with the linguistic and vocal registers of female voices that are used in interfaces and AI development. Vala is an AI who takes us on a hypnotic mindfulness journey, during which her instructional voice begins intertwining with her sensual voice. The name Vala comes from Nordic mythology, where she is the female shaman, and from Blake's mythological poetry, where she's the representation of nature. Focusing on the archetypal female roles and their representations in fashion and...
Production: 2017
The Vala film experiments with the linguistic and vocal registers of female voices that are used in interfaces and AI development. Vala is an AI who takes us on a hypnotic mindfulness journey, during which her instructional voice begins intertwining with her sensual voice. The name Vala comes from Nordic mythology, where she is the female shaman, and from Blake's mythological poetry, where she's the representation of nature. Focusing on the archetypal female roles and their representations in fashion and...
Agnes Momirski - NO. 4 (SONAR) (3:33)
Production: 2017
Music video for Sontag Shogun NO.4 (Sonar) from the Patterns For Resonant Space LP. In collaboration with Brencha (Brina Vidic - costume design).
Production: 2017
Music video for Sontag Shogun NO.4 (Sonar) from the Patterns For Resonant Space LP. In collaboration with Brencha (Brina Vidic - costume design).
Tatiana Kocmur, Boštjan Čadež - Quintessence (24:06)
Production: Svetlobna gverila/Forum Ljubljana, 2020
Quintessence is an audio-visual performance that combines the intermedia practice of Boštjan Čadež and the performative body of Tatiana Kocmur. The performer's body is covered with LED lights that respond to her movement. The movement of the body with the help of sensors generates image and sound. A series of movements make up an animated image supported by a video projection. Quintessence discusses possible ways to embody in a world of technological progress. It offers reflections on modern...
Production: Svetlobna gverila/Forum Ljubljana, 2020
Quintessence is an audio-visual performance that combines the intermedia practice of Boštjan Čadež and the performative body of Tatiana Kocmur. The performer's body is covered with LED lights that respond to her movement. The movement of the body with the help of sensors generates image and sound. A series of movements make up an animated image supported by a video projection. Quintessence discusses possible ways to embody in a world of technological progress. It offers reflections on modern...
Marko A. Kovačič - Hruporona 2020. The Last Tunnel (3:21)
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Marko Košnik - Bauhaus Tunings (04:26)
Production: Inštitut Egon March, 1994
BAUHAUS TUNINGS 1994 – video documentary Creation of interference sound fields in Bauhaus building in Dessau for ARCHI-TONOMY workshop with international group of students, 28.10. – 11. 11. 1994, by Electronic Media Interpretation Studio and Bauhaus Dessau Foundation. Tutors: Stephen Kovats, Gleb Gamasin, Peter Treuheit, Marko Košnik Concept and realization of sonorostatic sound ambient: Marko Košnik Construction of frames for sonorostatic plates: Peter Treuheit Sound pillar built...
Production: Inštitut Egon March, 1994
BAUHAUS TUNINGS 1994 – video documentary Creation of interference sound fields in Bauhaus building in Dessau for ARCHI-TONOMY workshop with international group of students, 28.10. – 11. 11. 1994, by Electronic Media Interpretation Studio and Bauhaus Dessau Foundation. Tutors: Stephen Kovats, Gleb Gamasin, Peter Treuheit, Marko Košnik Concept and realization of sonorostatic sound ambient: Marko Košnik Construction of frames for sonorostatic plates: Peter Treuheit Sound pillar built...
Marko Košnik - Membrane Bauhaus Ostranenie (12:34)
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Marko Košnik - Cavis Negra (09:46)
Production: Inštitut Egon March, 1991
Cavis Negra – performances in the caves and subterranes of Slovenian Karst region1991, U-matic, Egon March Institute & Andrej Kregar, VPK, Ljubljana 1991, duration 10', Camera: Leon Oblak, Photo / Slides: Smiljan Šiska, Dir., Script: Marko Košnik, Edit: Andrej Kregar As a conclusion of their three-year acoustic investigations in subterranes of the Slovene Karst region, Etbin Stefancic, Andrej Trobentar and Marko Kosnik performed a concert for video camera in the Rančečka water res...
Production: Inštitut Egon March, 1991
Cavis Negra – performances in the caves and subterranes of Slovenian Karst region1991, U-matic, Egon March Institute & Andrej Kregar, VPK, Ljubljana 1991, duration 10', Camera: Leon Oblak, Photo / Slides: Smiljan Šiska, Dir., Script: Marko Košnik, Edit: Andrej Kregar As a conclusion of their three-year acoustic investigations in subterranes of the Slovene Karst region, Etbin Stefancic, Andrej Trobentar and Marko Kosnik performed a concert for video camera in the Rančečka water res...
Jatun Risba - payasi-winti (05:20)
Production: Jatun Risba, 2023
Live sound composition and improvisation in an old-fashioned ceramic studio. The use of ritual objects (mala, bell) and the androgynous Baron Samedi outfit are inspired by spirit possession rituals (voodoo & winti) connected with theTransatlantic Slave Trade in the region of Zeeland in the Netherlands, where this sound performance took place. The video was realized in the Toonbeeld center in Terneuzen, NL. (Source: Jatun Risba)
Production: Jatun Risba, 2023
Live sound composition and improvisation in an old-fashioned ceramic studio. The use of ritual objects (mala, bell) and the androgynous Baron Samedi outfit are inspired by spirit possession rituals (voodoo & winti) connected with theTransatlantic Slave Trade in the region of Zeeland in the Netherlands, where this sound performance took place. The video was realized in the Toonbeeld center in Terneuzen, NL. (Source: Jatun Risba)