Pila Rusjan - Po-vračanje (0:18:19)
Production: Visoka šola za umetnost Univerze v Novi Gorici; Famul Stuart & KUD PUNce, 2010
Delo Po-vračanje je dvokanalna video instalacija, ki sinhrono prikazuje dva vsebinsko in formalno povezana posnetka skozi specifično postavitev na način, da gledalec nikdar ne vidi obeh strani naenkrat, ter predstavlja metaforo posameznikovega podrejanja skupini oz. posameznikove vpetosti v širšo družbo. Videa sta posneta v studijskem okolju s popolnoma statično kamero, ki nepremično spremlja dogajanje v prostoru, razdeljenem na dve strogo ločeni strani. Osrednji motiv videa je slavnostna večerja...
DIVA Installation Art
109 results in works
Maja Smrekar - System Casio:pia (00:26:14)
Production: Kiberpipa & Maja Smrekar, 2007
Video je del širšega projekta, novomedijske skulpture, video instalacije, fizičnega objekta z večmedijskimi intervencijami z naslovom Casio Pia, ki temelji na podobju popularne kulture, televizijskega kiča in vsakdanjega sodobnega življenja. Video na svojstven način tematizira družbo spektakla na način izposojanja motivov iz virtualnega sveta filmske in širše zabavne industrije. Video predstavlja razgibana in hitra montaža, saj izposojeni kadri iz različnih filsmkih ali televizijskih produkcij...
Production: Kiberpipa & Maja Smrekar, 2007
Video je del širšega projekta, novomedijske skulpture, video instalacije, fizičnega objekta z večmedijskimi intervencijami z naslovom Casio Pia, ki temelji na podobju popularne kulture, televizijskega kiča in vsakdanjega sodobnega življenja. Video na svojstven način tematizira družbo spektakla na način izposojanja motivov iz virtualnega sveta filmske in širše zabavne industrije. Video predstavlja razgibana in hitra montaža, saj izposojeni kadri iz različnih filsmkih ali televizijskih produkcij...
Ksenija Čerče - fall... (00:08:09)
Production: Ksenija Čerče, 2005-2008
The video was created on the basis of three short videos, partly recorded during the artist's audio- visual studies in New York City. By naming it 'audio video', she emphasizes the key role that sound plays in her works. In individual sequences we follow the movement of persons, objects and animals, while the rhythm is based primarily on the presence and absence of sound and image, emphasized silence and darkness.
Production: Ksenija Čerče, 2005-2008
The video was created on the basis of three short videos, partly recorded during the artist's audio- visual studies in New York City. By naming it 'audio video', she emphasizes the key role that sound plays in her works. In individual sequences we follow the movement of persons, objects and animals, while the rhythm is based primarily on the presence and absence of sound and image, emphasized silence and darkness.
A.B.B.A, Baraga, Ana, Anđelković, Bojan - TV dušilec TV Dumper
Production: 2012
TV Dušilec je video instalacija v kateri se medsebojno soočajo različni mediji. Gledalec je postavljen v ambient, ki je kolaž različnih posegov v medijski prostor. Gledalec prisustvuje discipliniranju televizijskega medija, ki je na nek način discipliniral samega gledalca. Avtor prikrito intervenira v TV program in dekonstruira sliko s novim slojem kolažiranja na osnovni video površini. A tudi zvok je televizije prešušča primat radijskem zvoku. Dekonstrukcija televizijske discipline in provokacij...
Production: 2012
TV Dušilec je video instalacija v kateri se medsebojno soočajo različni mediji. Gledalec je postavljen v ambient, ki je kolaž različnih posegov v medijski prostor. Gledalec prisustvuje discipliniranju televizijskega medija, ki je na nek način discipliniral samega gledalca. Avtor prikrito intervenira v TV program in dekonstruira sliko s novim slojem kolažiranja na osnovni video površini. A tudi zvok je televizije prešušča primat radijskem zvoku. Dekonstrukcija televizijske discipline in provokacij...
Ana Pečar - Partitura za tri vode (1. del) (00:17:20)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Ana Pečar - Partitura za tri vode (2. del) (00:14:12)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Ana Pečar - Partitura za tri vode (3. del) (00:09:57)
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Production: 2008
Partitura za štiri vode je več kanalni video. Prikazuje sintetizirani biotop s posntki vode. Z video rezi, vzvratnim predvajanjem, vrtinčenjem zvoka prikazuje gibanje, ritem in časa ter poudarja silovitost ali umirjenost tega naravnega elementa. Izhajala je iz citata francoskega pesnika Paula Claudela, ki je zapisal, da je voda zemljin instrument za opazovanje časa.
Tomaž Furlan - Wear IX-X (00:06:41)
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...
Tomaž Furlan - Wear V-VII (00:11:10)
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...
Tomaž Furlan - Wear XII (00:04:08)
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...
Production:
Wear XV is part of a series of studio video performances in which the artist explores the concepts of body and human behavior in contemporary society. A static shot focuses the attention on the artist's action and on its sense or nonsense. Using poor materials for building artificial body extensions, the artist transforms himself in a kind of automaton who performs ordinary everyday actions. In this case the artist, sitting in a corner, sews and wears foam rubber clothes and accessories, while a sort o...