Rok Sieberer Kuri - Ljubjana Trafik (00:05:39)
Production: V.S. - D.V., 1990
Promet v Ljubljani poteka (z montažo) počasneje kakor sicer: avtomobili, dolgi avtobusi in kolesarji, ki pogled usmerjajo v kamero. Spremlja jih bučna glasba, ki s hitrejšim ritmom daje slow motionu slike še večji kontrast. Sporočilo glasbe je: It's nothing you can do.
DIVA Experimental video
324 results in works
Rok Sieberer Kuri - Rollins (00:01:03)
Production: V.S. - D.V., 1990
Posnetki lobanj in človeškega okostja preidejo k posnetkom medveda, sove; nagačenih živali. Glas Henrya Rollinsa poda citat Henrya Millerja iz leta 1934: "Tomorrow you may bring about the destruction of your world. Tomorrow you sing in paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom i respect because he has absolutely nothing in common with you - myself. Tonight i shall meditate upon that wh...
Production: V.S. - D.V., 1990
Posnetki lobanj in človeškega okostja preidejo k posnetkom medveda, sove; nagačenih živali. Glas Henrya Rollinsa poda citat Henrya Millerja iz leta 1934: "Tomorrow you may bring about the destruction of your world. Tomorrow you sing in paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom i respect because he has absolutely nothing in common with you - myself. Tonight i shall meditate upon that wh...
Rok Sieberer Kuri - Krimi krimič (00:01:21)
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Rok Sieberer Kuri - Rop bakice (00:02:53)
Production: V.S. - D.V., 1990
Zamaskiran moški oropa babico, tako da jo najprej fizično napade, iz njene košare pada nakupljeno sadje, ona pa se po svojih močeh, a neuspešno brani.
Production: V.S. - D.V., 1990
Zamaskiran moški oropa babico, tako da jo najprej fizično napade, iz njene košare pada nakupljeno sadje, ona pa se po svojih močeh, a neuspešno brani.
Rok Sieberer Kuri - Preveč slepi, da bi videli / Too Blind To See (00:06:42)
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Rok Sieberer Kuri - Media Teror Chroma Quart Mix III (00:11:54)
Production: Media Teror / V.S. video / Forum Ljubljana, 1998
Kratek video kolaž kot zaključek video trilogije Media Teror Chroma Quart Mix - skrajšana verzija Media Teror Chroma Quart Mix II.
Production: Media Teror / V.S. video / Forum Ljubljana, 1998
Kratek video kolaž kot zaključek video trilogije Media Teror Chroma Quart Mix - skrajšana verzija Media Teror Chroma Quart Mix II.
Miha Vipotnik - Video 8 Sketch Tape No. 1 (00:39)
Production: CalArts, 1988
A video sketch of the performer Dee McMillan and her project Log On poetically discusses the undeniable human freedom of creation. An insignificant sound from the background triggers a flow of associations and changes the course of editing. The banality of electricity cable is erased with a metaphor of umbilical cord and at the same time the cable defines the duration of the video. (Source: Videodokument)
Production: CalArts, 1988
A video sketch of the performer Dee McMillan and her project Log On poetically discusses the undeniable human freedom of creation. An insignificant sound from the background triggers a flow of associations and changes the course of editing. The banality of electricity cable is erased with a metaphor of umbilical cord and at the same time the cable defines the duration of the video. (Source: Videodokument)
Miha Vipotnik - Video 8 Sketch Tape No. 3 (01:25)
Production: CalArts, 1988
The mechanical measurement of time presented by a non-functioning clock is the background for the circling of the camera, and thus for the measuring of time. Noises of hammering and of editing procedures are heard in the background. The circling of the camera rhythmically cuts the frozen image. The suspense is growing and the image changes into a female body with the sounds from the background. A movement of the prone body, like the stretching of a ballerina's legs, gives the impression of lightness, which...
Production: CalArts, 1988
The mechanical measurement of time presented by a non-functioning clock is the background for the circling of the camera, and thus for the measuring of time. Noises of hammering and of editing procedures are heard in the background. The circling of the camera rhythmically cuts the frozen image. The suspense is growing and the image changes into a female body with the sounds from the background. A movement of the prone body, like the stretching of a ballerina's legs, gives the impression of lightness, which...
Miha Vipotnik - Lenora (04:50)
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Zemira Alajbegović, Neven Korda - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...