Barbara Borčić - Multimedia Practices and Venues of Production
Subtitle: The Eighties through the Prism of Events, Exhibitions, and Discourses – Part 2
Production: SCCA-Ljubljana, MSUM, 2017
Videodokument from "Multimedia Practices and Venues of Production" exhibition, Museum of Contemporary Art Metelkova, Ljubljana April 5 - June 11, 2017.
The exhibition shows how expanded the field of art was in the 1980s, with practices characterized by multimedia, self-organization, interdisciplinarity, trans-generational work, and collective authorship. The display concept foregrounds the typical venues and events, putting additional emphasis on selected artistic installations. The multimedia th...
DIVA subculture /alternative culture
57 results in works
Marko A. Kovačič - Casus Belli (Video performance, VIDEO CD 83 - DOKUMENT) (19:20)
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Marko A. Kovačič - Casus Belli (performance) (19:45)
Production: ŠKUC, 1983
Documentary footage of the artist's performance at Škuc Gallery in Ljubljana in 1983.
Production: ŠKUC, 1983
Documentary footage of the artist's performance at Škuc Gallery in Ljubljana in 1983.
Kaja & Sava Kosmač - Marzidovšek Minimal Laboratorium (00:29:03)
Production: Kaja Kosmač in Sava Kosmač, 2013
Marzidovšek Minimal Laboratorium (MML) is a portrait of the (o)cult Slovenian minimalist, sound experimenter and versatile creator Maria Marzidovšek (1961-2011). With his independent MML cassette label, Mario was the key figure of Maribor's underground in the 1980s: musician, lab experimenter, innovator, performer, and provocateur. He was ubiquitous and highly productive: in just a few years, he produced between 70 and 90 cassettes (both authorial and compilation) on provisional equipment. The...
Production: Kaja Kosmač in Sava Kosmač, 2013
Marzidovšek Minimal Laboratorium (MML) is a portrait of the (o)cult Slovenian minimalist, sound experimenter and versatile creator Maria Marzidovšek (1961-2011). With his independent MML cassette label, Mario was the key figure of Maribor's underground in the 1980s: musician, lab experimenter, innovator, performer, and provocateur. He was ubiquitous and highly productive: in just a few years, he produced between 70 and 90 cassettes (both authorial and compilation) on provisional equipment. The...
Matevž Jerman - Tipi so pičke (Smrt boga in otrok) (03:23)
Production: SBO, 2017
Production: SBO, 2017
Marko A. Kovačič - Hey Joe (06:26)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
Marko A. Kovačič - Part II (19:51)
Production: ŠKUC, 1984
In the manner of crime movies, hide and seek, the film moves between the genres of detective and horror and around the mysterious microfilm. It is also characterized by a touch of burlesque. It represents the atmosphere and image of its time on the Ljubljana alternative scene of the 1980s. Part II was shown as a prequel to the Ana Monro Theatre's performance of The Red Beam. (Source: DIVA Station)
Production: ŠKUC, 1984
In the manner of crime movies, hide and seek, the film moves between the genres of detective and horror and around the mysterious microfilm. It is also characterized by a touch of burlesque. It represents the atmosphere and image of its time on the Ljubljana alternative scene of the 1980s. Part II was shown as a prequel to the Ana Monro Theatre's performance of The Red Beam. (Source: DIVA Station)