Small but dangers - Luc.ppsx (00:00:34)
Production: SBD, 2014
The work is a PowerPoint presentation, as the title indicates (Luč means light or lamp). Twelve frames (each with slightly different photograph) are silently and endlessly exchanging in a one second interval. The constant exchange of photos and their position inside each frame creates an illusion of movement according to the principle of stop-motion animation. An illusion of background movement is created, while the subject (street lamp) appears to be standing still in the foreground.
DIVA repetition
60 results in works
Small but dangers - Pticka.ppsx (00:00:36)
Production: SBD, 2014
The work is a PowerPoint presentation, as the title indicates (Ptička means small bird). In a silent endless loop frames of two photos of a dead bird floating in the water are being exchanged in a short interval. The constant exchange of photos and their position inside the frame creates an illusion of movement according to the principle of stop-motion animation.
Production: SBD, 2014
The work is a PowerPoint presentation, as the title indicates (Ptička means small bird). In a silent endless loop frames of two photos of a dead bird floating in the water are being exchanged in a short interval. The constant exchange of photos and their position inside the frame creates an illusion of movement according to the principle of stop-motion animation.
Danilo Milovanović - Longcut (00:02:19)
Production: D.M., 2017
The idea of intervention arises from the question of the discourse of time in a modern society. This has "shrunk" at the mental level and it seems that 24 hours a day is no longer enough to perform all the tasks required by the pace of modern life. As a metaphor of the economy of time in the public space, I summarize the shortcuts - human traces across grass surfaces created with the aim of faster crossing. I intervene next to existing shortcuts by making 'longcut'. It is technically a transfer of Ric...
Production: D.M., 2017
The idea of intervention arises from the question of the discourse of time in a modern society. This has "shrunk" at the mental level and it seems that 24 hours a day is no longer enough to perform all the tasks required by the pace of modern life. As a metaphor of the economy of time in the public space, I summarize the shortcuts - human traces across grass surfaces created with the aim of faster crossing. I intervene next to existing shortcuts by making 'longcut'. It is technically a transfer of Ric...
Metka Zupanič - And Here We Are (00:01:33)
Production: M.Z., 2016
The video shows a pendulum used in hypnosis, whereas a closer look reveals that the pendulum is in fact a cartridge. A low male voice takes the viewer to a state of mind that would enable him to erase all thoughts referring to military and hatred from his memory. Video is part of the art project And Here We Are which tackle the issue of military defence/surveillance of an individual and the influences of military structures on people's everyday lives. (Source: Metka Zupanič)
Production: M.Z., 2016
The video shows a pendulum used in hypnosis, whereas a closer look reveals that the pendulum is in fact a cartridge. A low male voice takes the viewer to a state of mind that would enable him to erase all thoughts referring to military and hatred from his memory. Video is part of the art project And Here We Are which tackle the issue of military defence/surveillance of an individual and the influences of military structures on people's everyday lives. (Source: Metka Zupanič)
Đejmi Hadrović - Crossing Borders (00:04:47)
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
Lealudvik - Duality Insanity (00:41)
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video consists of an endless loop. It plays with the hidden identi...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their specific love relationship, which is a common feature of their joint artistic practice and draws from the imagery of extreme sexual practices and the film genre of slasher horror movies. The video consists of an endless loop. It plays with the hidden identi...
Lealudvik - Teufelskreis (02:25)
Production: Lealudvik, 2018
The video is an endless loop presenting a top-down view of an empty white surface, on which the naked protagonist crawls with obvious difficulty. Just before she disappears at the other end of the frame, a new instance appears, crawling to the other side with difficulty again. The overlap of the frames illustrates a vicious circle (Teufelskreis) from which there is no way out. (Source: DIVA Station) The video installation was part of the exhibition Lealudvik: As it is, so be it at Škuc Gallery in 2020.
Production: Lealudvik, 2018
The video is an endless loop presenting a top-down view of an empty white surface, on which the naked protagonist crawls with obvious difficulty. Just before she disappears at the other end of the frame, a new instance appears, crawling to the other side with difficulty again. The overlap of the frames illustrates a vicious circle (Teufelskreis) from which there is no way out. (Source: DIVA Station) The video installation was part of the exhibition Lealudvik: As it is, so be it at Škuc Gallery in 2020.
Lealudvik - I would go poof! (02:04)
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Lada Cerar - Blow my bills away (02:51)
Subtitle: Calculator
Production: Lada Cerar Sedlaček, 2012
The video is part of the Blow My Bills Away project in which the artist humorously tackles the nuisance of paying monthly bills. Video shows close up view of a large calculator which the artist uses to sum the amounts of monthly bills from a period of several years. The large pile of bills, fast editing, accelerated movement and the growing sum on the calculator screen intensify the feeling of discomfort and illustrate the stress associated with the concern for survival that artists in a precarious situatio...
Subtitle: Calculator
Production: Lada Cerar Sedlaček, 2012
The video is part of the Blow My Bills Away project in which the artist humorously tackles the nuisance of paying monthly bills. Video shows close up view of a large calculator which the artist uses to sum the amounts of monthly bills from a period of several years. The large pile of bills, fast editing, accelerated movement and the growing sum on the calculator screen intensify the feeling of discomfort and illustrate the stress associated with the concern for survival that artists in a precarious situatio...
Urška Aplinc - Slide (01:52)
Production: U.A., 2014
Video je del projekta Drča, ki ga je avtorica ustvarila v času študija kiparstva na ALUO. V ateljeju je zgradila objekt, ki ima poleg specifične estetske vrednosti tudi igrivo 'uporabno' vrednost. Njeno uporabo avtorica demonstrira v videu, sestavljenem iz ponovitev kratkega spusta po drči. (Vir: Postaja DIVA)
Production: U.A., 2014
Video je del projekta Drča, ki ga je avtorica ustvarila v času študija kiparstva na ALUO. V ateljeju je zgradila objekt, ki ima poleg specifične estetske vrednosti tudi igrivo 'uporabno' vrednost. Njeno uporabo avtorica demonstrira v videu, sestavljenem iz ponovitev kratkega spusta po drči. (Vir: Postaja DIVA)