Nataša Berk - Eine Revolution Ohne Tanzen Ist Eine Revolution Die Sich Nicht Lohnt (03:38)
Production: N.B., 2017
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
DIVA Art video
658 results in works
Vesna Bukovec - Kaj je nevarnost? (02:00)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Vesna Bukovec - What is danger? (02:00)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
Duba Sambolec - NATO Women Waiting (09:33)
Production: Duba Sambolec, 2001/2013
Umetnica je idejo za video dobila v 90-tih, ko je na letališču na Norveškem opazila povečano število vojaškega osebja, ki je bilo namenjeno na vojna območja na Balkanu. Pozornost so ji vzbudile vojakinje in sprožile razmišljanja o njihovi pripravljenosti na preživetje, na potencialno spolno nasilje in spolne vloge v vojski in vojni. Pozneje se je seznanila tudi s problematičnimi ravnanji enot ZN na Balkanu (nezakonita preprodaja orožja in drog, spolne zlorabe, korup...
Production: Duba Sambolec, 2001/2013
Umetnica je idejo za video dobila v 90-tih, ko je na letališču na Norveškem opazila povečano število vojaškega osebja, ki je bilo namenjeno na vojna območja na Balkanu. Pozornost so ji vzbudile vojakinje in sprožile razmišljanja o njihovi pripravljenosti na preživetje, na potencialno spolno nasilje in spolne vloge v vojski in vojni. Pozneje se je seznanila tudi s problematičnimi ravnanji enot ZN na Balkanu (nezakonita preprodaja orožja in drog, spolne zlorabe, korup...
Translacija | Traslación, Tatiana Kocmur, Francisco Tomsich - Rdeče niti: TV Auction (28:29)
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
Francisco Tomsich - Trembling studies (03:06)
Subtitle: Silent Works
Production: Francisco Tomsich / Makedonida (Skopje), 2018
Trembling studies is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Subtitle: Silent Works
Production: Francisco Tomsich / Makedonida (Skopje), 2018
Trembling studies is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Francisco Tomsich - A day in Murska Sobota (04:45)
Subtitle: Silent Works
Production: Francisco Tomsich / Barbara Pregelj, 2019
A day in Murska Sobota is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing...
Subtitle: Silent Works
Production: Francisco Tomsich / Barbara Pregelj, 2019
A day in Murska Sobota is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing...
Francisco Tomsich - A winter’s tale and a summer’s tale (08:33)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
A winter’s tale and a summer’s tale is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate te...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
A winter’s tale and a summer’s tale is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate te...
Francisco Tomsich - The futures (Elegija version) (06:53)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Francisco Tomsich - Lepa scena (19:45)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...