Katarina Rešek - Napoleon (Napravi mi dete) (00:03:45)
Production: Napravi mi dete & UL AGRFT, 2016
Music video Napoleon tells the story of a young woman in search of love, lost in a violent relationship with another person, which results in a violent relationship with herself and further relationships of the same kind. The film opens up the issue of sexual identity and ends with a conclusion that this is and will continue to be a man’s world if women look at it through men’s eyes. (Source: Katarina Rešek)
DIVA Music video
127 results in works
Katarina Rešek - Meduze (Matter) (00:03:30)
Production: 2015
Music video for song Meduze by Matter. The scenes are dark, recorded at night, in dark interiors or in the early morning. The members of the band drive witha a car from the forest to a city, into an empty garage house. They walk through an underpass full of graffiti towards underground shops, all of them are closed. Next to band members stand two jellyfish - naked women, completely covered with silver color, with a big hat over the head. Throughout the whole video we see short scenes in a dark pool. The mys...
Production: 2015
Music video for song Meduze by Matter. The scenes are dark, recorded at night, in dark interiors or in the early morning. The members of the band drive witha a car from the forest to a city, into an empty garage house. They walk through an underpass full of graffiti towards underground shops, all of them are closed. Next to band members stand two jellyfish - naked women, completely covered with silver color, with a big hat over the head. Throughout the whole video we see short scenes in a dark pool. The mys...
Katarina Rešek - Anakonda (Matter) (00:04:40)
Production: 2016
Music video for song Anakonda by Matter is visually partly inspired by the film A Clockwork Orange by Stanly Kubrick. Members of the band are seen in the video, joined by KUKLA as guest artist (also the author of the video). Most of the scenes are shot in various illuminated interiors. Later members of the band find themselves in a tunnel and then in the exterior with a burning car in the background. The mysterious text is complemented by a carnival visual imagery with expressive makeup and clothing. Everyt...
Production: 2016
Music video for song Anakonda by Matter is visually partly inspired by the film A Clockwork Orange by Stanly Kubrick. Members of the band are seen in the video, joined by KUKLA as guest artist (also the author of the video). Most of the scenes are shot in various illuminated interiors. Later members of the band find themselves in a tunnel and then in the exterior with a burning car in the background. The mysterious text is complemented by a carnival visual imagery with expressive makeup and clothing. Everyt...
Katarina Rešek - Among the Lull (Your Gay Thoughts) (00:03:49)
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
RÁTNEEK - Laibach – Eurovision (00:04:46)
Production: 2014
Music video for Laibach’s Eurovision (Spectre) was filmed in the industrial area of Trbovlje (Slovenia), the home town of Laibach and nearby the Kum mountain. Parts of the video were also shot during the last winter ice cataclysm, when half of Slovenia was in a deep freeze for two weeks. (Source: Blaž Murn, Maja Prelog)
Production: 2014
Music video for Laibach’s Eurovision (Spectre) was filmed in the industrial area of Trbovlje (Slovenia), the home town of Laibach and nearby the Kum mountain. Parts of the video were also shot during the last winter ice cataclysm, when half of Slovenia was in a deep freeze for two weeks. (Source: Blaž Murn, Maja Prelog)
RÁTNEEK - Laibach – We Are Millions And Millions Are One (00:04:37)
Production: 2015
Music video for Laibach’s We Are Millions And Millions Are One (Spectre) deals with impossibility of love in impossible times, so dangerously close to the fictional reality of classic dystopian films, like Ridley Scott’s Blade Runner or novels like Yevgeny Zamyatin’s We (Мы), Laibach’s inspiration for this song and the video itself. (Source: Blaž Murn, Maja Prelog) Animations taken from Vuk Jevremovic's La Isla de los Muertos.
Production: 2015
Music video for Laibach’s We Are Millions And Millions Are One (Spectre) deals with impossibility of love in impossible times, so dangerously close to the fictional reality of classic dystopian films, like Ridley Scott’s Blade Runner or novels like Yevgeny Zamyatin’s We (Мы), Laibach’s inspiration for this song and the video itself. (Source: Blaž Murn, Maja Prelog) Animations taken from Vuk Jevremovic's La Isla de los Muertos.
Nika Ham - Video Spot (00:03:17)
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Neven Korda - Young Prisoners (00:04:18)
Production: M.A.X., 1990
Music video on the song of Borghesia group.
Production: M.A.X., 1990
Music video on the song of Borghesia group.
Kaja & Sava Kosmač - Please Don't Follow Me Into the Sun (00:04:48)
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Kaja & Sava Kosmač - To Paul & Friends (00:02:36)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)