Neven Korda - Young Prisoners (00:04:18)
Production: M.A.X., 1990
Music video on the song of Borghesia group.
DIVA music
133 results in works
Bojan Štokelj - The Uneasiness in front of a Mirror Image (48:28)
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Kaja & Sava Kosmač - Marzidovšek Minimal Laboratorium (00:29:03)
Production: Kaja Kosmač in Sava Kosmač, 2013
Marzidovšek Minimal Laboratorium (MML) is a portrait of the (o)cult Slovenian minimalist, sound experimenter and versatile creator Maria Marzidovšek (1961-2011). With his independent MML cassette label, Mario was the key figure of Maribor's underground in the 1980s: musician, lab experimenter, innovator, performer, and provocateur. He was ubiquitous and highly productive: in just a few years, he produced between 70 and 90 cassettes (both authorial and compilation) on provisional equipment. The...
Production: Kaja Kosmač in Sava Kosmač, 2013
Marzidovšek Minimal Laboratorium (MML) is a portrait of the (o)cult Slovenian minimalist, sound experimenter and versatile creator Maria Marzidovšek (1961-2011). With his independent MML cassette label, Mario was the key figure of Maribor's underground in the 1980s: musician, lab experimenter, innovator, performer, and provocateur. He was ubiquitous and highly productive: in just a few years, he produced between 70 and 90 cassettes (both authorial and compilation) on provisional equipment. The...
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Kaja & Sava Kosmač - Please Don't Follow Me Into the Sun (00:04:48)
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Kaja & Sava Kosmač - To Paul & Friends (00:02:36)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Miha Vipotnik - NLP: Faeton (04:57)
Subtitle: From TV show Jugo Rock
Production: RTV Ljubljana, 1981
Insert from a documentary recording of a concert by the group Na lepem prijazni in Ljubljana in January 1981. The piece Faeton, which a year earlier appeared as a single by RTV Ljubljana, shows the interventions in the image, made by simultaneous directing and editing in the camera.
Subtitle: From TV show Jugo Rock
Production: RTV Ljubljana, 1981
Insert from a documentary recording of a concert by the group Na lepem prijazni in Ljubljana in January 1981. The piece Faeton, which a year earlier appeared as a single by RTV Ljubljana, shows the interventions in the image, made by simultaneous directing and editing in the camera.
Matevž Jerman - Remains - Confessions to the Ghosts (40:08)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
Matevž Jerman - Woodsman's Bizzare Dream 2 (03:51)
Production: 2009
Production: 2009
Matevž Jerman - Time (13:21)
Production: Temporama, 2016
There is life. There is a human being. There is a person. Striking on and on until you forget. As long as you remember.A dark encounter with roomfuls of memories, dreams, holidays, and artworks.This mini cinematic opera by Simon Penšek is dedicated to Matevž Čas. (Source: Temporama)
Production: Temporama, 2016
There is life. There is a human being. There is a person. Striking on and on until you forget. As long as you remember.A dark encounter with roomfuls of memories, dreams, holidays, and artworks.This mini cinematic opera by Simon Penšek is dedicated to Matevž Čas. (Source: Temporama)