Marko A. Kovačič - Requiem M (00:04:02)
Production: Studio Brut, 1990
Video documents a performance entitled Requiem, which happened as a part of an exhibition Izkušnja predmeta (Experience of the Object)in Modern gallery in Ljubljana in 1989. The artist conducted the performance on his 33rd birthday. Coated with whi...
No. 1645
"Post at the Red Star"
Artist: Marko A. Kovačič
Title: Post at the Red Star
Duration: 2:40
Year: 2021
Production: Gibatorij
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MOREDuring the corona pandemic in 2020 and 2021, the author opened Javka pri Rdeči zvezdi (Post at the Red Star) in the former Mehanika factory and now Ropotarnca in Trbovlje to the public. In the heart of the once proletarian and revolutionary Red Districts, he performed the most complex staging of his fascinating forty-year artistic process to date, and through art encompassed social periods full of contradictions and paradoxes. (Source: DIVA)
Marko A. Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the titl...
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the titl...
Marko A. Kovačič - AIDA 87 (00:03:22)
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Marko A. Kovačič - The Sacrifice of Jupiter (00:01:11)
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests th...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests th...
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohib...
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohib...
Marko A. Kovačič - Song of Flesh and Image Was Made Body (00:15:56)
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typic...
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typic...
Marko A. Kovačič - Symposium for Sculpture Zreče 85 (00:01:32)
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstav...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstav...
Marko A. Kovačič - Sculptures 82-84 (00:01:47)
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Marko A. Kovačič - Hey Joe (06:26)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
