Nataša Prosenc Stearns - Wishing Well (00:03:00)
Production: 2015
Wishing Well as well as Night Spring, is video installations that show images of the human body's exterior and interior. They are beaming with variety of pains and pleasures and walk the line between the real and the imaginary. Beneath what appear to...
No. 291
"Video Installations (1994-2005)"
Artist: Prosenc, Nataša
Title: Video Installations (1994-2005)
Subtitle: Swimming the Dark, Crossing, Sphere, Well, Vortex, Shadows, Corner, Tomb, Pillar, More, Reason, Vertical Horizon, Journey into the Void, Place of the Game
Duration: 00:13:58
Year: 2005
Genre: Installation Art / Experimental video / Art video / Fiction
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MORE 1. Swimming the Dark: podvodni eksperimentalni posnetki plavalke ob spremljavi šuma vodnih tokov in strojev. (2005)
2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instalacije v prostoru. (2004/5)
3. Sphere: podvodna podoba plavalke, ki je rahlo popačena in projicirana na izboženo površino, spominja na podobo iz akvarija. Žensko telo se giblje in skuša ubežati krožnim omejitvam. Krogla je narejena iz pleksi stekla, na njej pa so projicirane podobe. Na koncu izsek z razstave. (2001)
4. Well: video projekcija pulziranja srčne mišice, ki se zrcali v vodnjaku. Podobe notranjega organa so popačene, saj so povečane in postavljene v vodnjak. (2001)
5. Vortex: detajl s štirikanalne video instalacije Gladiatorji. Nizanje podob ognja, zemlje, peska, snega, ki se vrtijo in izgubljajo v krožnem gibanju.(1999)
6. Shadows: enokanalni video človeških senc na puščavskih tleh, vključen v več instalacij. (1999)
7. Corner: dvokanalna projekcija na pravokotno postavljene zaslone prikazuje sence teles, ki prehajajo v urbanem okolju, se zrcalijo na puščavskih tleh pod njimi. Vendar se nekako ne ujemajo. Osvobojene sence iz narave sledijo svoji poti. (1998)
8. Tomb: video projekcija skozi vejevje na razpokano marmorno površino. (2002)
9. Pillar: preplet podob senc golih teles v obliki stebra. (1997)
10. More: devetkanalna modra talna instalacija podob telesnih delov v različnih postavitvah. (1997)
11. Reason: dvokanalna video instalacija, ki prikazuje zgodbo o Sizifu. (1996)
12. Vertical Horizon: štirikanalna video instalacija s podobami iskalcev izhoda iz labirinta iz betonskih opek. (1994)
13. Journey into the Void: petkanalna instalacija obnove srednjeveškega gradu v Sloveniji. (1994)
14. Place of the Game: video projekcija, ki prikazuje hrbet plesalca butoh. Opazujemo gibanje človeškega telesa, ki se prelevi v gibljivo mišično gmoto in nakazuje okostje in tkivo; poigravanje s kiparskim modelom, z organsko in celostno kvaliteto človeškega telesa. Pomikanje v samo strukturo kože in prikaz samega ustroja telesa kot nekakšnega valovanja. (1994)
2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instalacije v prostoru. (2004/5)
3. Sphere: podvodna podoba plavalke, ki je rahlo popačena in projicirana na izboženo površino, spominja na podobo iz akvarija. Žensko telo se giblje in skuša ubežati krožnim omejitvam. Krogla je narejena iz pleksi stekla, na njej pa so projicirane podobe. Na koncu izsek z razstave. (2001)
4. Well: video projekcija pulziranja srčne mišice, ki se zrcali v vodnjaku. Podobe notranjega organa so popačene, saj so povečane in postavljene v vodnjak. (2001)
5. Vortex: detajl s štirikanalne video instalacije Gladiatorji. Nizanje podob ognja, zemlje, peska, snega, ki se vrtijo in izgubljajo v krožnem gibanju.(1999)
6. Shadows: enokanalni video človeških senc na puščavskih tleh, vključen v več instalacij. (1999)
7. Corner: dvokanalna projekcija na pravokotno postavljene zaslone prikazuje sence teles, ki prehajajo v urbanem okolju, se zrcalijo na puščavskih tleh pod njimi. Vendar se nekako ne ujemajo. Osvobojene sence iz narave sledijo svoji poti. (1998)
8. Tomb: video projekcija skozi vejevje na razpokano marmorno površino. (2002)
9. Pillar: preplet podob senc golih teles v obliki stebra. (1997)
10. More: devetkanalna modra talna instalacija podob telesnih delov v različnih postavitvah. (1997)
11. Reason: dvokanalna video instalacija, ki prikazuje zgodbo o Sizifu. (1996)
12. Vertical Horizon: štirikanalna video instalacija s podobami iskalcev izhoda iz labirinta iz betonskih opek. (1994)
13. Journey into the Void: petkanalna instalacija obnove srednjeveškega gradu v Sloveniji. (1994)
14. Place of the Game: video projekcija, ki prikazuje hrbet plesalca butoh. Opazujemo gibanje človeškega telesa, ki se prelevi v gibljivo mišično gmoto in nakazuje okostje in tkivo; poigravanje s kiparskim modelom, z organsko in celostno kvaliteto človeškega telesa. Pomikanje v samo strukturo kože in prikaz samega ustroja telesa kot nekakšnega valovanja. (1994)
Nataša Prosenc Stearns - Night Spring, Wishing Well (Venice) (00:01:29)
Production: 2015
Posnetek videoinstalacije na razstavi v Benetkah.
Production: 2015
Posnetek videoinstalacije na razstavi v Benetkah.
Nataša Prosenc Stearns - Red Carpet (teaser) (00:02:58 (00:00:28))
Production: Kanalya Pictures, 2015
A Hollywood star poses for her fans – on a red carpet of her own making.
Production: Kanalya Pictures, 2015
A Hollywood star poses for her fans – on a red carpet of her own making.
Nataša Prosenc Stearns - Reposition (00:03:43)
Production: Kanalya Pictures, 2015
Reposition is a group video portrait of five members currently involved in Venice YouthBuild, a program providing education and job training to out-of-school and out-of-work youth to help them reposition into successful adulthoods. The video was produced...
Production: Kanalya Pictures, 2015
Reposition is a group video portrait of five members currently involved in Venice YouthBuild, a program providing education and job training to out-of-school and out-of-work youth to help them reposition into successful adulthoods. The video was produced...
Nataša Prosenc Stearns - Methuselah and the Wooden Sky (00:03:00)
Production: Kanalya Pictures, 2015
Methuselah is one of the oldest leaving trees and grows at the elevation of 9800 ft above sea level in Bristlecone Pine Forrest in the Californian White Mountains. Together with other ancient pines in the forest, Methuselah survived over 4000 years. As c...
Production: Kanalya Pictures, 2015
Methuselah is one of the oldest leaving trees and grows at the elevation of 9800 ft above sea level in Bristlecone Pine Forrest in the Californian White Mountains. Together with other ancient pines in the forest, Methuselah survived over 4000 years. As c...
Nataša Prosenc Stearns - Marianne and the Water Veil (00:04:13)
Production: 2015
There are certain images with such strong associations with particular meanings that it seems almost impossible to see them for what they really are. A shaved female head is definitely one of them. It nearly always implies something negative; a disease, a...
Production: 2015
There are certain images with such strong associations with particular meanings that it seems almost impossible to see them for what they really are. A shaved female head is definitely one of them. It nearly always implies something negative; a disease, a...
Nataša Prosenc Stearns - Almost There (00:02:11)
Production: 2015
Video is part of the series Haiku Videos, which originate in daily recordings with minimal staging. They are created when a real life situation motivates an idea. Like in Haiku poetry, the images of Haiku Videos are based on directly observed events, obje...
Production: 2015
Video is part of the series Haiku Videos, which originate in daily recordings with minimal staging. They are created when a real life situation motivates an idea. Like in Haiku poetry, the images of Haiku Videos are based on directly observed events, obje...
Nataša Prosenc Stearns - Water Glove (00:00:58)
Production: Nataša Prosenc Stearns, 2015
Video is a part of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Na...
Production: Nataša Prosenc Stearns, 2015
Video is a part of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Na...
Nataša Prosenc Stearns - Submerged (The Drowning Dance) (00:01:00)
Production: Nataša Prosenc Stearns, 2015
Feelings of joy and fear exist simultaneously as the body is caught in the whirlpool of current. Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures....
Production: Nataša Prosenc Stearns, 2015
Feelings of joy and fear exist simultaneously as the body is caught in the whirlpool of current. Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures....
Nataša Prosenc Stearns - White Gold (00:01:50)
Production: 2014
Video installation consists of projections of stylised human figures onto the sugar cube (2 X 2 X 2 m).
Production: 2014
Video installation consists of projections of stylised human figures onto the sugar cube (2 X 2 X 2 m).
Nataša Prosenc Stearns - Our Twenty Minutes (00:07:39)
Production: 2013
Kratki film o paru, ki si skuša med službo vzeti 20 minut za zasebnost. V njuno zgodbo prileti nepovabljena trgovska potnica, ki ju z neomajnim prepričevanjem poskuša opehariti. Zgodba se odvija s frontalnimi statičnimi kadri v notranjščini hiše.
Production: 2013
Kratki film o paru, ki si skuša med službo vzeti 20 minut za zasebnost. V njuno zgodbo prileti nepovabljena trgovska potnica, ki ju z neomajnim prepričevanjem poskuša opehariti. Zgodba se odvija s frontalnimi statičnimi kadri v notranjščini hiše.
