Duba Sambolec - Airport 2 (31:46)
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side.
Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polypho...
No. 344
"Collectors #4"
Artist: Sambolec, Duba
Title: Collectors #4
Subtitle: *Revisited*
Duration: 12:02
Year: 2003/2005
Genre: Experimental video / Art video / Performance
Production: Duba Sambolec
+
MOREParalelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o začetku vojne v Sloveniji ter o samozaščiti pred različnimi možnimi napadi na telo. Gre za kritiko enoumnosti vojaške poslušnosti. Kameri sta statični in kot v panorami prikazujeta isti prostor.
Duba Sambolec - I Do Remember (22:12)
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them...
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them...
Duba Sambolec - Shadowless A (21:06)
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same s...
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same s...
Duba Sambolec - Shadowless B (21:08)
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same s...
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same s...
Duba Sambolec - Code I (04:34)
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video per...
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video per...
Duba Sambolec - Code II (01:32)
Production: Duba Sambolec, 2000
Video captures the author in a medium close-up, while she repeats the sentence "repeat after me" in calm authoritative voice. The absurd coming from the repeating demand to repeat stresses the fact of how often and repeating this demand is in individual's...
Production: Duba Sambolec, 2000
Video captures the author in a medium close-up, while she repeats the sentence "repeat after me" in calm authoritative voice. The absurd coming from the repeating demand to repeat stresses the fact of how often and repeating this demand is in individual's...
Duba Sambolec - Code III (03:49)
Production: Duba Sambolec, 2000
Video is composed of one long static extreme close-up of the author, while she repeats a completely trivial, common and consequently devalued request. Static and unfocused shot stresses the dullness of the sentence. NoHomeVideos© are 14 video perfor...
Production: Duba Sambolec, 2000
Video is composed of one long static extreme close-up of the author, while she repeats a completely trivial, common and consequently devalued request. Static and unfocused shot stresses the dullness of the sentence. NoHomeVideos© are 14 video perfor...
Duba Sambolec - Code IV (18:31)
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video per...
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video per...
Duba Sambolec - Conversion (24:53)
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the vi...
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the vi...
Duba Sambolec - I Don't Remember (02:00:31)
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen,...
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen,...
Duba Sambolec - Questioning, Answering (58:25)
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The...
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The...