Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
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20 results in works
Neven Korda - The Futurists (CD-ROM)
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Nataša Prosenc Stearns - Tango za ribe / Tango for Fish (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Barbara Borčić - Video Art from Conceptualism to Postmodernism
Production: MIT Press, Massachussetts, USA, 2003
The text >Video Art from Conceptualism to Postmodernism< was published in the book Impossible Histories: Historical Avant- Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia. 1918-1991, (eds. Dubravka Djurić, Miško Šuvaković), MIT Press, Massachussetts, 2003.
Production: MIT Press, Massachussetts, USA, 2003
The text >Video Art from Conceptualism to Postmodernism< was published in the book Impossible Histories: Historical Avant- Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia. 1918-1991, (eds. Dubravka Djurić, Miško Šuvaković), MIT Press, Massachussetts, 2003.
Vladimir Ristić - When We Were Young (0:01:08)
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Ana Čigon - One More Kick (0:04:35)
Production: Ana Čigon, 2009
'One More Kick' is a performative video in which the author is tackling a wall, trying to move it with great effort. She tries really hard and seemingly pushes it around the frame, using the method of measuring the edges of the screen, used by the early video artists questioning mass media and television which captures reality. With the help of technical means and performative action the author plays with the perception of space and reality. Video caries ironic message slowly uncovered in the text...
Production: Ana Čigon, 2009
'One More Kick' is a performative video in which the author is tackling a wall, trying to move it with great effort. She tries really hard and seemingly pushes it around the frame, using the method of measuring the edges of the screen, used by the early video artists questioning mass media and television which captures reality. With the help of technical means and performative action the author plays with the perception of space and reality. Video caries ironic message slowly uncovered in the text...
Nika Grabar - Pleasure in Discipline
Subtitle: Interview with Neven Korda on video Borghesia: Discipline
Production: SCCA-Ljubljana, 2011
Interview with Neven Korda concerning video Discipline. [Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis; The Association of NGOs Clubture]
Subtitle: Interview with Neven Korda on video Borghesia: Discipline
Production: SCCA-Ljubljana, 2011
Interview with Neven Korda concerning video Discipline. [Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis; The Association of NGOs Clubture]
Barbara Borčić - Reception of Video Production in Slovenia
Production: 1999
"Reception of Video Production in Slovenia" is from: Videodokument.Video Art in Slovenia 1969-1998, ur. B. Borčić, OSI-Slovenia, SCCA-Ljubljana, 1999-2001.
Production: 1999
"Reception of Video Production in Slovenia" is from: Videodokument.Video Art in Slovenia 1969-1998, ur. B. Borčić, OSI-Slovenia, SCCA-Ljubljana, 1999-2001.
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