Mirko Simić - Dakaka (00:04:46)
Production: VPK, BRIS, 1997
A document on graffiti action in the Ljubljana district Koseze:
positive vibrations, colours and creativity make the real
rainbow come after the rain.
DIVA artistic collaboration
41 results in works
Zvonko Čoh, Milan Erič - Cigar for a Prince (00:11:09)
Subtitle: Socializing The Bull? - first episode
Production: Emotionfilm, ŠKUC, TV Slovenija, 1995
Cigara za princa je prva epizoda animiranega filma Socializacija bika?, ki je bila uporabljena kot promocijski spot. Skozi prelivanje podob spremljamo nagajivo ljubezensko zgodbo. Karikaturi dveh ljudi (avtorjev?) bežita pred bikom, asociacije odvijanja zgodbe so podobne sanjam, detajli so v ospredju. Socializacija bika? je prva slovenska celovečerna risanka.
Subtitle: Socializing The Bull? - first episode
Production: Emotionfilm, ŠKUC, TV Slovenija, 1995
Cigara za princa je prva epizoda animiranega filma Socializacija bika?, ki je bila uporabljena kot promocijski spot. Skozi prelivanje podob spremljamo nagajivo ljubezensko zgodbo. Karikaturi dveh ljudi (avtorjev?) bežita pred bikom, asociacije odvijanja zgodbe so podobne sanjam, detajli so v ospredju. Socializacija bika? je prva slovenska celovečerna risanka.
Nataša Prosenc Stearns - Connected (0:08:00)
Subtitle: Living Sculpture / Human Bridge
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered with red fabric standing shoulder to shoulder on a bridge. The intention was to point out connections between people in a society run by individualism and hostility.
Subtitle: Living Sculpture / Human Bridge
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered with red fabric standing shoulder to shoulder on a bridge. The intention was to point out connections between people in a society run by individualism and hostility.
Andreja Džakušič, Simon Macuh, Iva Tratnik, SIVA - Motnje oblačenja – Prevelika obleka (00:04:04)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Andreja Džakušič, Simon Macuh, SIVA, Iva Tratnik - Motnja – Krzno (00:07:10)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Borut Savski, Luka Prinčič - Problemloss Orchestra. Before the performance in Berlin (00:04:52)
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Marko A. Kovačič - Metelkova Network (00:37:14)
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Martina Bastarda, Mateja Ocepek, Nataša Skušek - Pissing (0:04:28)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Dejan Habicht, Tanja Lažetić - Avtokino Barje (00:04:07)
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - First Impression (0:09:08)
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Ana Čigon, Brina Torkar - Ulikses / Ulysses (0:24:00)
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Maja Smrekar - Imaginarij elektromagnetnih transformacij (0:28:39)
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Production: Smrekar, Maja, 2009
Experimental video and sound work with multi-layered structure is made with various technological means from the perspective of investigative and formal video and sound approaches that the artist finds in the crossroad of analogue and digital manipulations of images. She uses numerous means for manipulation and processing of picture such as layering, fast switching between the shots and distortion that together make complex abstract effects. The motives are changing with speed, and they are notably connecte...
Amir Muratović - Gibanje v podobah (00:05:00)
Production: Amir Muratović, 2006
Video na specifičen način dokumentira likovno kolonijo. Ker je bila tema kolonije podoba gibanja, se je avtor osredotočil na gibanje umetnikov in umetniškega procesa. Z zaključkom umetniškega procesa se ustvarjalni akt ne pretopi vedno le v umetnino. Vsaka umetniška praksa se tako pokaže v svoji goli ustvarjalnosti. Video kot zapisovalec tega umetniškega procesa pa postane dokument ritmičnih premikov, svetlobnih iger, barvnih in reliefnih tranzicij in gibanj umetnikov.
Production: Amir Muratović, 2006
Video na specifičen način dokumentira likovno kolonijo. Ker je bila tema kolonije podoba gibanja, se je avtor osredotočil na gibanje umetnikov in umetniškega procesa. Z zaključkom umetniškega procesa se ustvarjalni akt ne pretopi vedno le v umetnino. Vsaka umetniška praksa se tako pokaže v svoji goli ustvarjalnosti. Video kot zapisovalec tega umetniškega procesa pa postane dokument ritmičnih premikov, svetlobnih iger, barvnih in reliefnih tranzicij in gibanj umetnikov.
Borut Savski - Multimedia. Mali (00:03:53)
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Borut Savski - Aestetic Machines (00:09:39)
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
PUNce, Pila Rusjan, Tina Krajnc, Nina Bric - Vidiš umetnost? (00:05:46)
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Luka Dekleva - FeedForward Cinema (00:05:25)
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Production: codeep, 2007
Video dokumentacija performansa iz Kinodvor dne 19. oktobra 2007. Delo Feedforward Cinema nastaja z interakcijo dveh video naprav, ki si vzajemno pošiljajo signale in tvorijo zaprt krog informacij. Rezultat spominja na različne vzorce od zelo organskih oblik do strogo geometričnih in točno omejenih polj, ki v določenem trenutku raspadejo in odprejo polje za nove oblike. Vzorci so vedno ne-narativni. Če je na začetku tvorba, ki spominja na molekulano strukturo, proti koncu postaja vse bolj grafična. Vs...
Luka Dekleva - lOw/Tuning (00:07:08)
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
Production: 2007
Pri video delu lOw/Tuning gre za isti princip kot pri delu Feedforward Cinema. Z interakcijo dveh video naprav, ki si vzajemno pošiljata signale in tvorita zaprt krog informacij, pride do realizacije deloma nepredvidivih struktur, ki se pojavlajo kot hrup, motnja ali feed-back. lOw/Tuning je tako s stališča zvoka kot videa zelo minimalističen. Podobe pogosto na kratko izstopijo iz popolne črnine, da bi se nemudoma pogrznile nazaj v globino. Prostor tvorijo bele črte, ki s premikanjem in repeticijo po...
