Gorazd Krnc - Keltinje (del projekta Archaios xenê) (00:00:52)
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
DIVA Art video
658 results in works
Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Perzijke (del projekta Archaios xenê) (00:01:03)
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Me V(isual)S(ound) You (00:02:35)
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Gorazd Krnc - Medena tedna (krajša verzija) (00:18:18)
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Nataša Skušek, Mladen Stropnik - Free Time (00:06:42)
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Martina Bastarda, Mateja Ocepek, Nataša Skušek - Pissing (0:04:28)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Vesna Čadež - Narava / Nature (00:11:07 (skupno))
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....