Zoran Srdić Janežič - Zgodba o tački (0:31:50)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Video is an animation of a same-name story by Matej Lavrenčič. The video connects animations by four authors.
DIVA Works
1174 results in works
Marko A. Kovačič - Symposium for Sculpture Zreče 85 (00:01:32)
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.
Marko A. Kovačič - AIDA 87 (00:03:22)
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Marko A. Kovačič - Sculptures 82-84 (00:01:47)
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Marko A. Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Marko A. Kovačič - Prediction of Zeus (00:03:11)
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Marko A. Kovačič - Sarcophagus,The Eye (00:02:49)
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Marko A. Kovačič - Casus belli (video performance) (00:04:54)
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Marko A. Kovačič - The Sacrifice of Jupiter (00:01:11)
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Production: 1987
Video is a simple collage of photographs from a performance The sacrifice of Jupiter, done with Marko Košnikl and Borut Cajnko. Video is followed by a lively music typical for silent films of the first half of the previous century.
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)