Polonca Lovšin - Dynamo Street Lamp (00:02:31)
Production: Zavod P.A.R.A.S.I.T.E., 2010
Projekt Dinamo ples z vrati in Dinamo ulična svetilka sta kinetični instalaciji v javnem prostoru na prostem, ki proizvajata elektriko. Naključni mimoidoči jih lahko uporabljajo in dobesedno na lastni koži izkusijo, kaj pomeni proizvajanje električne energije. Konstrukcija je bila neposredno povezana z ulično svetilko, ki ni mogla svetiti, če publika oziroma prostovoljci niso poskakovali po konstrukciji. Ob tem je Henrietta Hale zasnovala tudi posebno koreografijo, da bi ta prizadevanja razši...
DIVA urban
91 results in works
Amir Muratović - Urbanaria (Slovenski magazin) (00:05:21)
Production: RTV Slovenija, 1998
TV documentary presents the Urbanaria exhibition and its individual projects, realised in the span of three years in non-exhibition spaces across Ljubljana, with a final statement by one of the curators. Urbanaria was conceived, curated and organised by the Soros Center for Contemporary Arts in Ljubljana (1994-1997). Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 proposals the international expert jury selected 14 pro...
Production: RTV Slovenija, 1998
TV documentary presents the Urbanaria exhibition and its individual projects, realised in the span of three years in non-exhibition spaces across Ljubljana, with a final statement by one of the curators. Urbanaria was conceived, curated and organised by the Soros Center for Contemporary Arts in Ljubljana (1994-1997). Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 proposals the international expert jury selected 14 pro...
Nataša Prosenc Stearns - Going Where (00:02:15)
Production: 2010
Video is part of the series Haiku Videos, which originate in daily recordings with minimal staging. They are created when a real life situation motivates an idea. Like in Haiku poetry, the images of Haiku Videos are based on directly observed events, objects or occurrences.
Production: 2010
Video is part of the series Haiku Videos, which originate in daily recordings with minimal staging. They are created when a real life situation motivates an idea. Like in Haiku poetry, the images of Haiku Videos are based on directly observed events, objects or occurrences.
Nataša Prosenc Stearns - The Noise Factor (00:03:15)
Production: 2012
Video work poetically captures closing in and focusing inside a view through a hotel window. From the abstract light spots of the city landscape the camera slowly moves to the inside of the hotel room. First we witness the transition to a reflection in the window: a man sitting behind a computer and next to a turned on TV without a signal. The camera moves in towards the TV screen until the image finally fades into the "snow" or white noise of the TV. The video was shot from a building, from whi...
Production: 2012
Video work poetically captures closing in and focusing inside a view through a hotel window. From the abstract light spots of the city landscape the camera slowly moves to the inside of the hotel room. First we witness the transition to a reflection in the window: a man sitting behind a computer and next to a turned on TV without a signal. The camera moves in towards the TV screen until the image finally fades into the "snow" or white noise of the TV. The video was shot from a building, from whi...
Andreja Džakušič - Cel'e 'as deaf ear (00:09:17)
Production: 2010
Video is documentation of performance in public space. The performance was carried out together with street musician Vesna Prevolšek. A chair was placed in the location where vesna usually sings, which stood vacant until the time of the performance was due to start. While Vesna sat silently, the artist wrote Cel'e 'as deaf ear!? on the ground. She began to mime the singing of a song from a songbook of Slovene love songs. (Source: Andreja Džakušič, Encounters, overview exhibition catalogue,...
Production: 2010
Video is documentation of performance in public space. The performance was carried out together with street musician Vesna Prevolšek. A chair was placed in the location where vesna usually sings, which stood vacant until the time of the performance was due to start. While Vesna sat silently, the artist wrote Cel'e 'as deaf ear!? on the ground. She began to mime the singing of a song from a songbook of Slovene love songs. (Source: Andreja Džakušič, Encounters, overview exhibition catalogue,...
Andreja Džakušič - Celje, my city (00:04:23)
Production: 2005
The video is a photo slide show documentation of the 'Celje, my city' action in public space which was part of the Admission Free festival in Celje, 2005. Similar to a well know action of the Belgrade based collective Škart (Your Shit - Your Responsibility) the artist stuck little flags into dog excrements in Celje City Park. On the flags was city's coat of arms and caption 'Celje, my city'.
Production: 2005
The video is a photo slide show documentation of the 'Celje, my city' action in public space which was part of the Admission Free festival in Celje, 2005. Similar to a well know action of the Belgrade based collective Škart (Your Shit - Your Responsibility) the artist stuck little flags into dog excrements in Celje City Park. On the flags was city's coat of arms and caption 'Celje, my city'.
Ana Sluga - Still Life I (00:02:23)
Production: 2011
Bližnji statičen posnetek semaforja, na katerem se v realnem času zamenjata dva cikla luči. V podlagi se vrti melanholična klavirska glasba iz filma Shindlerjev seznam. Predmet tihožitja na posnetku ni prizor iz narave, ampak del urbanega javnega prostora. Semafor kot naprava, ki s svetlobo odmerja čas in gibanje. Izrez kadra nakazuje subjektiven pogled voznika ali sovoznika, ki pa se ne premakne, ko posveti zelena luč. Neaktivnost lahko razumemo kot nezmožnost sprejemanja odločitev in z njimi...
Production: 2011
Bližnji statičen posnetek semaforja, na katerem se v realnem času zamenjata dva cikla luči. V podlagi se vrti melanholična klavirska glasba iz filma Shindlerjev seznam. Predmet tihožitja na posnetku ni prizor iz narave, ampak del urbanega javnega prostora. Semafor kot naprava, ki s svetlobo odmerja čas in gibanje. Izrez kadra nakazuje subjektiven pogled voznika ali sovoznika, ki pa se ne premakne, ko posveti zelena luč. Neaktivnost lahko razumemo kot nezmožnost sprejemanja odločitev in z njimi...
Valérie Wolf Gang - Artist Sleeping on The Street (trailer) (03:00:00 (00:01:06))
Production: Co-production: Famul VideoLab, 2013
"Artist Sleeping on The Street" is a one channel video installation. LCD screen was put on the street of Belgium city Arlon and left there for couple of hours: the real time of the video in which the artist is sleeping. The goal of the video installation was to test the public for two things: firstly if they can notice a small detail on the street and secondly if they would stop and look at the artist sleeping or if they would turn their back on it. The result of the first test was expected but al...
Production: Co-production: Famul VideoLab, 2013
"Artist Sleeping on The Street" is a one channel video installation. LCD screen was put on the street of Belgium city Arlon and left there for couple of hours: the real time of the video in which the artist is sleeping. The goal of the video installation was to test the public for two things: firstly if they can notice a small detail on the street and secondly if they would stop and look at the artist sleeping or if they would turn their back on it. The result of the first test was expected but al...
Valérie Wolf Gang - The Luxembourg Monster (00:10:05)
Production: 2013
"The Luxembourg monster" is a video installation which combines different artistic techniques (graffiti, video, sound). It is also an art piece which plays with the perception of the public: What is the actual monster in the installation? Artists Valerie Wolf Gang researches new surroundings and culture in Luxembourg and questions locals about the personal and economic problems they face in their country. As a representative democracy with a constitutional monarch, Luxembourg is headed by...
Production: 2013
"The Luxembourg monster" is a video installation which combines different artistic techniques (graffiti, video, sound). It is also an art piece which plays with the perception of the public: What is the actual monster in the installation? Artists Valerie Wolf Gang researches new surroundings and culture in Luxembourg and questions locals about the personal and economic problems they face in their country. As a representative democracy with a constitutional monarch, Luxembourg is headed by...
Zemira Alajbegović - Urbanaria (00:01:50)
Subtitle: TV oddaja / TV show
Production: TV Slovenija, 1996
Statement by Barbara Borčić, one of the curators of Urnbanaria exhibition concerning a two-day event Presentation of Metelkova (conference, discussion, guided tours, screenings) on February 14th and 15th, 1996. Urbanaria was the first annual exhibition of the Soros Center for Contemporary Arts - Ljubljana and it ran in Ljubljana from February 1994 to November 1997. Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 prop...
Subtitle: TV oddaja / TV show
Production: TV Slovenija, 1996
Statement by Barbara Borčić, one of the curators of Urnbanaria exhibition concerning a two-day event Presentation of Metelkova (conference, discussion, guided tours, screenings) on February 14th and 15th, 1996. Urbanaria was the first annual exhibition of the Soros Center for Contemporary Arts - Ljubljana and it ran in Ljubljana from February 1994 to November 1997. Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 prop...