Produkcija: 2008
DIVA ženska
132 rezultatov med deli
Evelin Stermitz - Hitchcock Dishing (0:01:17)
Produkcija: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Produkcija: 2008
Evelin Stermitz - Inside the Outside (0:05:33)
Produkcija: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Produkcija: 2006
Evelin Stermitz - Koncentracijsko taborišče Ljubelj (0:14:33)
Produkcija: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferre...
Produkcija: 2004
Evelin Stermitz - Rose is a Rose (0:03:53)
Produkcija: 2008
This performative video work shows a woman engaged in covering her face with rose leaves.
As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence.
Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Produkcija: 2008
Evelin Stermitz - Table Talk (0:02:35)
Produkcija: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart.
In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Produkcija: 2008
Evelin Stermitz - Structural Model (0:03:00)
Produkcija: 2006
A female person is reflecting the structures and dynamics of Freud's model of the psyche in terms of an unresolved pattern.
Researched parts of connections between the three layers of Freud"s model and women appear in the textline to represent some main thoughts about the complexity of (t)his system.
A video installation of the intermediation of the ego between the id, the superego and the external world from a female perspective.
This performance video work has been realized at Inter...
Produkcija: 2006
Evelin Stermitz - White Band Cut (0:09:25)
Produkcija: 2007
The ritualised cutting of a white band wrapped around the body symbolizes the metaphoric disposal of inner and outer bonds as restrictions in an internal monologue. The woman can be seen as a gift as well as a captive. The white band describes muted halcyon segues flowing in a void space.
Produkcija: 2007
Ana Grobler - Super Ultra (00:03:42)
Produkcija: 2008
Video delo se loteva problematike prikazovanja menstrualne krvi v oglasih za higienske vložke. S preprosto animacijo in vprašanji, ki si jih zastavlja v samem delu, poskuša avtorica preseči tabu menstruacije. Video je del interaktivne spletne revije Beauty and Health with a Smile (koncept: Ana Grobler, Sladjana Mitrović; programiranje: Marko Gorenc; oblikovanje: Ana Grobler, Damjan Fister).
Produkcija: 2008
Video delo se loteva problematike prikazovanja menstrualne krvi v oglasih za higienske vložke. S preprosto animacijo in vprašanji, ki si jih zastavlja v samem delu, poskuša avtorica preseči tabu menstruacije. Video je del interaktivne spletne revije Beauty and Health with a Smile (koncept: Ana Grobler, Sladjana Mitrović; programiranje: Marko Gorenc; oblikovanje: Ana Grobler, Damjan Fister).
Ana Grobler - Migraine (00:05:23)
Produkcija: 2007
Video delo je migrenski avtoportret avtorice. Od snemanja do montaže je nastajal v času napada migrenskega glavobola. Kamera je statična, z video in zvočnimi efekti pa skuša delo gledalcu približati stanje obolelega v času migrenskega napada. Delo se osredotoča na vprašanje, ali je večje število obolelih žensk kot moških pogojeno družbeno ali biološko. V starosti od 35 do 40 let razmerje med bolniki doseže tri ženske na enega moškega, čeprav je v otroštvu število med spoloma izenačeno.
Produkcija: 2007
Video delo je migrenski avtoportret avtorice. Od snemanja do montaže je nastajal v času napada migrenskega glavobola. Kamera je statična, z video in zvočnimi efekti pa skuša delo gledalcu približati stanje obolelega v času migrenskega napada. Delo se osredotoča na vprašanje, ali je večje število obolelih žensk kot moških pogojeno družbeno ali biološko. V starosti od 35 do 40 let razmerje med bolniki doseže tri ženske na enega moškega, čeprav je v otroštvu število med spoloma izenačeno.
Nika Oblak & Primož Novak - Baby (0:04:13)
Produkcija: 2003
The video Baby shows a sexy blonde in a cheesy environment overflown by colorful balloons. She is posing in front of the camera and telling jokes about stupid policemen, which rather evoke jokes about stupid blondes. In the atmosphere filled by common stereotypes, simplified representations and sweet laughter, we can hardly find humor in the end and jokes become ironic and bitter. Baby explores the ideological structure of jokes and creates an ironic display of prejudice in society. (Vir: oblak-novak.org)
Produkcija: 2003
The video Baby shows a sexy blonde in a cheesy environment overflown by colorful balloons. She is posing in front of the camera and telling jokes about stupid policemen, which rather evoke jokes about stupid blondes. In the atmosphere filled by common stereotypes, simplified representations and sweet laughter, we can hardly find humor in the end and jokes become ironic and bitter. Baby explores the ideological structure of jokes and creates an ironic display of prejudice in society. (Vir: oblak-novak.org)