Small but dangers - I see 1 (00:00:25)
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her right. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
DIVA performance
120 results in works
Small but dangers - I see 2 (00:01:01)
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her left and right as if shaking it in disagreement. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her left and right as if shaking it in disagreement. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
DNLM - Social sculpture (04:57)
Production: DNLM, 2016
The video deals with spontaneous material compositions that the artist perceives in public space and recognizes as artistically interesting. The artist uses colored adhesive tape to mark or frame temporary installations. The video was created in 2016 in Prague. (Source: DNLM)
Production: DNLM, 2016
The video deals with spontaneous material compositions that the artist perceives in public space and recognizes as artistically interesting. The artist uses colored adhesive tape to mark or frame temporary installations. The video was created in 2016 in Prague. (Source: DNLM)
DNLM - Disconnection (04:48)
Production: DNLM, 2017
The site specific intervention was carried out in Letna Park in Prague, at the intersection of a paved path and an organically created path, so-called shortcut. Using grass and soil from the park, the artist connected the interrupted shortcut, thereby creating a disruption to the paved path. (Source: DNLM)
Production: DNLM, 2017
The site specific intervention was carried out in Letna Park in Prague, at the intersection of a paved path and an organically created path, so-called shortcut. Using grass and soil from the park, the artist connected the interrupted shortcut, thereby creating a disruption to the paved path. (Source: DNLM)
DNLM - Product (06:27)
Production: DNLM, 2017
The video documents a processual work that humorously plays with the idea of the product as a cell of consumer society. The artist places the logic of commodification in an environment where we do not expect it. The location of the intervention is a pear tree located in the urban environment of Novo mesto. (Source: DNLM)
Production: DNLM, 2017
The video documents a processual work that humorously plays with the idea of the product as a cell of consumer society. The artist places the logic of commodification in an environment where we do not expect it. The location of the intervention is a pear tree located in the urban environment of Novo mesto. (Source: DNLM)
DNLM - Longcut (02:19)
Production: DNLM, 2017
The video documents one of the performative actions through which so-called longcuts are created. Longcuts always begin and end at the same point as shortcuts, developing in between into independent, improvised paths. Logcuts are therefore a processual work, a kind of alternative to alternatives, which, like shortcuts, are created by repeatedly walking back and forth along a chosen path. The video is from 2016 and was recorded in Ljubljana. (Source: DNLM)
Production: DNLM, 2017
The video documents one of the performative actions through which so-called longcuts are created. Longcuts always begin and end at the same point as shortcuts, developing in between into independent, improvised paths. Logcuts are therefore a processual work, a kind of alternative to alternatives, which, like shortcuts, are created by repeatedly walking back and forth along a chosen path. The video is from 2016 and was recorded in Ljubljana. (Source: DNLM)
DNLM - Vouge (03:37)
Production: DNLM, 2023
The Vouge project turns an otherwise unpleasant situation into fun. And into fashion. The action begins immediately after the rain. The artist pours paint into a road puddle. The performers stand right next to the puddle, dressed in specially sewn white clothes, and passively wait. With the help of rushing drivers, the street wear clothes were finished and ready for promotion. (Source: DNLM)
Production: DNLM, 2023
The Vouge project turns an otherwise unpleasant situation into fun. And into fashion. The action begins immediately after the rain. The artist pours paint into a road puddle. The performers stand right next to the puddle, dressed in specially sewn white clothes, and passively wait. With the help of rushing drivers, the street wear clothes were finished and ready for promotion. (Source: DNLM)
DNLM - Muddy Demonstrations (05:19)
Production: MGLC, 2023
The video documents the interpretation of a children's game. The artist recalls a childhood game when children, after rainy days, used soggy soil to play. Each child made a tool by peeling leaves from a bush branch and turning it into a flexible stick. Children then shaped the soil into balls with their hands and attached them to the top of the sticks. When they swung it, the ball flew off and stuck to the wall. They played until the wall was covered with hundreds of dots. More than two decades later, the a...
Production: MGLC, 2023
The video documents the interpretation of a children's game. The artist recalls a childhood game when children, after rainy days, used soggy soil to play. Each child made a tool by peeling leaves from a bush branch and turning it into a flexible stick. Children then shaped the soil into balls with their hands and attached them to the top of the sticks. When they swung it, the ball flew off and stuck to the wall. They played until the wall was covered with hundreds of dots. More than two decades later, the a...
DNLM - Roundabout Park (07:45)
Production: DNLM, 2017
Roundabouts are interesting examples of public spaces that are inaccessible to us, even if they are not physically fenced off. Since they are located within the traffic infrastructure, the only way to reach roundabouts is to illegally cross the roads. The artist focuses on one of the larger Ljubljana roundabouts, which is adorned with flower arrangements and ornamental shrubs. With the gesture of moving benches and trash cans inside the roundabout, the artist complements the plant scenography with functiona...
Production: DNLM, 2017
Roundabouts are interesting examples of public spaces that are inaccessible to us, even if they are not physically fenced off. Since they are located within the traffic infrastructure, the only way to reach roundabouts is to illegally cross the roads. The artist focuses on one of the larger Ljubljana roundabouts, which is adorned with flower arrangements and ornamental shrubs. With the gesture of moving benches and trash cans inside the roundabout, the artist complements the plant scenography with functiona...
DNLM - Postposter (05:32)
Production: DNLM, 2018
Postposter is a documentation of an intervention in public space that deals with walls covered with promotional posters. The artist uses existing posters and reworks them in a way that strips them of their key function – information. The intervention was carried out in Prague, Czech Republic. (Sourcer: DNLM)
Production: DNLM, 2018
Postposter is a documentation of an intervention in public space that deals with walls covered with promotional posters. The artist uses existing posters and reworks them in a way that strips them of their key function – information. The intervention was carried out in Prague, Czech Republic. (Sourcer: DNLM)
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