Tatiana Kocmur - COLLI 6.66' (12:54)
Production: Associazioni Ottovolante, Društvo Boja, 2020
The video is part of the project entitled From 1.5 to COLLI 6.66’ created at the art residency between Izola and Bologna during the coronavirus epidemic. It was presented at the international exhibition Walking through identity in Bologna. The video is an edited recording of a four-hour performance in which the artist with a 'limited' body goes on a pilgrimage route. The author attaches wooden sticks to her body with duct tape, which prevents her from walking. She can move only on her knees leaning on...
DIVA performance
120 results in works
SCCA-Ljubljana, Andreja Džakušič, Simon Macuh, Iva Tratnik, Keiko Miyazaki - Video evening with DIVA Station: Andreja Džakušič, SIVA and IvAnKe (57:47)
Production: SCCA–Ljubljana, Galerija Photon, 2021
Video Evening with DIVA Station are live events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the second wave of the coronavirus pandemic we prepared an adapted digital presentation. Artists Andreja Džakušič, Simon Macuh, Iva Tratnik and Keiko Miyazaki recorded their online covnersation about their artistic practice and mutual cooperation. The presentation, accompanied by photographs and inserts of video work...
Production: SCCA–Ljubljana, Galerija Photon, 2021
Video Evening with DIVA Station are live events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the second wave of the coronavirus pandemic we prepared an adapted digital presentation. Artists Andreja Džakušič, Simon Macuh, Iva Tratnik and Keiko Miyazaki recorded their online covnersation about their artistic practice and mutual cooperation. The presentation, accompanied by photographs and inserts of video work...
Milena Kosec - Past work – street sale PRICE DETERMINED BY THE BUYER! (11:10, 16:58)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Documentation of the street sale campaign in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. Documentation consists of two recordindgs, Part 1 and Part 2.Repetition of the campaign Past work – Clearance Sale, which took place for the first time in December 2003 and January 2004 in Vila Katarina. (Source: DIVA Station)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Documentation of the street sale campaign in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. Documentation consists of two recordindgs, Part 1 and Part 2.Repetition of the campaign Past work – Clearance Sale, which took place for the first time in December 2003 and January 2004 in Vila Katarina. (Source: DIVA Station)
Jatun Risba - Mpasturavacche (04:08)
Subtitle: The Milk-Suckling Snake
Production: Jatun Risba & STEAM Atelier, 2019/2020
Mpasturavacche is the dialectal name in Apuglia, Italy, of the common four-lined snake, which was believed to suckle a cow’s milk while entwined around its legs. The artwork Mpasturavacche. The milk-suckling snake is a one-to-one Art and Science performance that lets participants explore the perceptive abilities of snakes through wearable technologies. By disclosing the instincts and impulses of the lizard brain in the human animal, the artwork makes sense of and alleviates humans’ estrange...
Subtitle: The Milk-Suckling Snake
Production: Jatun Risba & STEAM Atelier, 2019/2020
Mpasturavacche is the dialectal name in Apuglia, Italy, of the common four-lined snake, which was believed to suckle a cow’s milk while entwined around its legs. The artwork Mpasturavacche. The milk-suckling snake is a one-to-one Art and Science performance that lets participants explore the perceptive abilities of snakes through wearable technologies. By disclosing the instincts and impulses of the lizard brain in the human animal, the artwork makes sense of and alleviates humans’ estrange...
Jatun Risba - Getting Gold (11:07)
Production: Jatun Risba & Franco G. Livera, 2019
Getting Gold is a vanitas video that questions the impact of value systems on ideas of authorship and art-making. The video performance between Jatun Risba, Franco G. Livera and Daniele Semeraro is a meditation on the fugacity of existence in all its forms. Bodies are growing (g)old, human behaviors are becoming outdated, wild species are getting extinct and technologies obsolete. Amidst the impermanence of life, what is worth doing? (Source: author)
Production: Jatun Risba & Franco G. Livera, 2019
Getting Gold is a vanitas video that questions the impact of value systems on ideas of authorship and art-making. The video performance between Jatun Risba, Franco G. Livera and Daniele Semeraro is a meditation on the fugacity of existence in all its forms. Bodies are growing (g)old, human behaviors are becoming outdated, wild species are getting extinct and technologies obsolete. Amidst the impermanence of life, what is worth doing? (Source: author)
Jatun Risba - Down-going (03:15)
Production: Jatun Risba & Franco G. Livera, 2019
Down-going was taken during a collaborative art intervention at an operating hospital in S Italy in summer 2019. The produced photos and video stage a playful act of medical self-determination and resilience. By taking control over the use of medical spaces and tools, the artists underline and overturn the dynamics of power in contemporary medical contexts. (Source: author) The video has no sound.
Production: Jatun Risba & Franco G. Livera, 2019
Down-going was taken during a collaborative art intervention at an operating hospital in S Italy in summer 2019. The produced photos and video stage a playful act of medical self-determination and resilience. By taking control over the use of medical spaces and tools, the artists underline and overturn the dynamics of power in contemporary medical contexts. (Source: author) The video has no sound.
Nataša Berk - Törpe (01:30)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - The House of Cards (06:45)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Man, Don't Get Angry (19:34)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
