Zemira Alajbegović - Vortex (00:04:04)
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
DIVA 2000-2009
412 results in works
Janez Janša, Darij Kreuh - Brainscore (00:17:30)
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Subtitle: incorporeal communication
Production: Forum Ljubljana / Cankarjev dom / Kibla / Galerija Kapelica �OU Ljubljana, 2000
Video razlaga projekt Brainscore - performans dveh akterjev, ki delujeta v virtualnem prostoru preko avatarjev. Gre za prvi tovrstni poskus izogniti se fizični udeležbi akterjev pri vodenju avatarjev: sprožanje ukazov na konzoli prek sistema, ki temelji na akterjevih možganskih signalih (ti. nevrofeedback tehnologija) in sistemu za zaznavanje očesnega gibanja. Cilj performansa je ustvariti nadzorovan tok informacij, avdio-vizualnih sporočil, da bi vzpostavili komunikacijo z občinstvom. Informacije se...
Duba Sambolec - Listening to the Globe-Beat (36:26)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Duba Sambolec - Airport 1 (29:41)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Lights & Pipes (05:24)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Duba Sambolec - Airport 2 (31:46)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - I Do Remember (22:12)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them sit down. Close-ups of colourful clothes and separate parts of women's bodies and skin. Camera circles in the space, follows women's movement, occasionally rattling sounds are heard. The set changes to the scene on a factory balcony. Women lean over the fen...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance starts with women descending a wooden staircase into a factory space full of metal constructions. Women are wrapped in long colourful clothes. They walk on top of a metal construction. They all carefully choose their steps, some of them sit down. Close-ups of colourful clothes and separate parts of women's bodies and skin. Camera circles in the space, follows women's movement, occasionally rattling sounds are heard. The set changes to the scene on a factory balcony. Women lean over the fen...
Duba Sambolec - Shadowless A (21:06)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Duba Sambolec - Shadowless B (21:08)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Duba Sambolec - Code I (04:34)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
