Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
DIVA Works
1174 results in works
Borut Savski - The Sisters Karamazov (00:56:26)
Production: KUD Trivia / Trivia Art, 2006, 2007
Music is produced in a rhytmic style, a kind of free techno. Of course, since it originates exclusively from the computer. It is also algoritmic, meaning that the author left much of the parameters to the decision of the computer program. The roots of such approach lead to around 1996. There are some other such “historic” productions. All things told - the author did play one song directly on the computer keyboard. Cd Sisters Karamazov is sometimes accompanied by an essey entitled The Art of Ba...
Production: KUD Trivia / Trivia Art, 2006, 2007
Music is produced in a rhytmic style, a kind of free techno. Of course, since it originates exclusively from the computer. It is also algoritmic, meaning that the author left much of the parameters to the decision of the computer program. The roots of such approach lead to around 1996. There are some other such “historic” productions. All things told - the author did play one song directly on the computer keyboard. Cd Sisters Karamazov is sometimes accompanied by an essey entitled The Art of Ba...
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Robertina Šebjanič - Cona D (0:11:59)
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Robertina Šebjanič - Bubble I (0:01:00)
Production: 2007
Video work is a display of unknown stylized objects, by which the author establishes a sensual and intimate atmosphere. Unidentified, unusual, soft, moving matter reminds of a living creature, an organ or a completely irrational, inorganic object unable to identify. Video is accompanied by an ambient sound.
Production: 2007
Video work is a display of unknown stylized objects, by which the author establishes a sensual and intimate atmosphere. Unidentified, unusual, soft, moving matter reminds of a living creature, an organ or a completely irrational, inorganic object unable to identify. Video is accompanied by an ambient sound.
Jože Spacal - Svetloba in senca (0:24:48)
Subtitle: Televizijska scenografija Jožeta Spacala
Production: TV Slovenija, 1993
Dokumentarni film, ki prikazuje izseke najpomembnejših in najodmevnejših scenografskih postavitev za televizijo Ljubljana (kasneje Televizija Slovenija) ter razstavnih postavitev televizijskih scenografij.
Subtitle: Televizijska scenografija Jožeta Spacala
Production: TV Slovenija, 1993
Dokumentarni film, ki prikazuje izseke najpomembnejših in najodmevnejših scenografskih postavitev za televizijo Ljubljana (kasneje Televizija Slovenija) ter razstavnih postavitev televizijskih scenografij.
Vesna Čadež - Slika / Painting (0:03:24)
Production: 2007
Video is focusing on a way of display of painting surfaces, fragments of author's paintings. Latter are shown as animation and collage, when surfaces are built one upon the other, in the under-paintings and color ratios. Canvas is substituted by computer screen, where the author is gradually coming towards a full visual surface, painting. Shapes and motif are connected to the natural world and its elements.
Production: 2007
Video is focusing on a way of display of painting surfaces, fragments of author's paintings. Latter are shown as animation and collage, when surfaces are built one upon the other, in the under-paintings and color ratios. Canvas is substituted by computer screen, where the author is gradually coming towards a full visual surface, painting. Shapes and motif are connected to the natural world and its elements.
Vesna Čadež - Med vožnjo / During the Drive (0:02:19)
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Vesna Čadež - Sencasvetloba / Shadowlight (0:01:25)
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.