Nataša Skušek - Vrt (00:00:20)
Subtitle: Počasna verzija
Production: 2008
The artist is placed in the place of a naked female model inside an impressionistic painting by Édouard Manet Luncheon on the Grass. Video collage is author's miniature emancipatory gesture fighting against the passive representation of women.
DIVA 2000-2009
412 results in works
Sašo Podgoršek - Miss Right and Mr. Wrong (0:03:33)
Production: Dop Records / Menart, 2008
The work is a music video for a song Miss Right and Mr Wrong by Lollobrigida. Video mocks a rock cliché of a garage band and puts children in the roles of pop musicians playing in a garage too small to actually serve as a space for a rock band rehearsal. Due to the radical diminishing of the subject and their surroundings, the video becomes a parody of the aesthetics of the modern pop rock. The author creates the dynamics of the video with fast movements of the camera, different lightings and a broad repe...
Production: Dop Records / Menart, 2008
The work is a music video for a song Miss Right and Mr Wrong by Lollobrigida. Video mocks a rock cliché of a garage band and puts children in the roles of pop musicians playing in a garage too small to actually serve as a space for a rock band rehearsal. Due to the radical diminishing of the subject and their surroundings, the video becomes a parody of the aesthetics of the modern pop rock. The author creates the dynamics of the video with fast movements of the camera, different lightings and a broad repe...
Sašo Sedlaček - DIVA Studio (0:49:10)
Subtitle: Broadcast within the initiative for the establishment of an autonomuos mediatic zone Infocalypse Now!
Production: Aksioma - Institute for Contemporary Art, Ljubljana; co-production: Kapelica Gallery, 2008
Sašo Sedlaček si je v okviru iniciative za ustanovitev medijske avtonomne cone, Infokalipsa zdaj!, prizadeval za sprostitev dela televizijskih FM valov v nekomercialne, kulturne oziroma umetniške namene. Iniciativo je leta 2008 predstavil v Projektni sobi SCCA (v okviru programa Brez žebljev in podstavkov), v Galeriji Kapelica pa je vzpostavil gverilski studio, v katerem je pripravljal oddaje z gosti. Med njimi je bila tudi Projektna skupina DIVA, ki pri SCCA-Ljubljana vodi fizični in splet...
Subtitle: Broadcast within the initiative for the establishment of an autonomuos mediatic zone Infocalypse Now!
Production: Aksioma - Institute for Contemporary Art, Ljubljana; co-production: Kapelica Gallery, 2008
Sašo Sedlaček si je v okviru iniciative za ustanovitev medijske avtonomne cone, Infokalipsa zdaj!, prizadeval za sprostitev dela televizijskih FM valov v nekomercialne, kulturne oziroma umetniške namene. Iniciativo je leta 2008 predstavil v Projektni sobi SCCA (v okviru programa Brez žebljev in podstavkov), v Galeriji Kapelica pa je vzpostavil gverilski studio, v katerem je pripravljal oddaje z gosti. Med njimi je bila tudi Projektna skupina DIVA, ki pri SCCA-Ljubljana vodi fizični in splet...
Nataša Prosenc Stearns - Innocence Disolved (0:01:30)
Production: Kanalya Pictures, 2008
Video is a documentation of a same named exhibition - installation, where two looped videos are projected on a window of a gallery and on a bed.
Production: Kanalya Pictures, 2008
Video is a documentation of a same named exhibition - installation, where two looped videos are projected on a window of a gallery and on a bed.
Nika Špan - Polucija v umetnosti / Pollution in Art (00:17:46)
Production: SCCA-Ljubljana, 2008
Video documents a lecture conducted as part of a continuous project No Nails, No Pedestals. The author designed the lecture in which she thematises pollution in art as an interactive audio-visual happening.
Production: SCCA-Ljubljana, 2008
Video documents a lecture conducted as part of a continuous project No Nails, No Pedestals. The author designed the lecture in which she thematises pollution in art as an interactive audio-visual happening.
Maja Slavec - Woman Beauty Power Less (00:04:40)
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Evelin Stermitz - Land of OZ (0:24:39)
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.
Evelin Stermitz - Hitchcock Dishing (0:01:17)
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Evelin Stermitz - Rose is a Rose (0:03:53)
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Evelin Stermitz - Table Talk (0:02:35)
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
