Grega Mastnak - Euphoria (00:03:00 (00:01:00))
Subtitle: (one minute excerpt)
Production: Casablanca - Ljubljana; TV Slovenija, 2000
Animated travelogue. We follow two passengers on the train. One is an elderly, quite abundant sleeping man, and the other a younger man who is in an ecstatic mood.
The animation is characterized by a rough drawing, mostly two- or three-colored. The author emphasized the euphoric mood by changing perspectives and by exposing details.
DIVA Works
1174 results in works
Valérie Wolf Gang - Distant Memory (00:02:43)
Subtitle: English subtitles
Production: 2014
"Distant Memory" is a video poetry, which speaks about the times that once were. It all starts with a random event which evokes narrator’s memories about the times before the disintegration of Yugoslavia and encourages reflection about what the war actually brings and how quickly people forget everything. The poem can be interpreted as a letter or a personal confession of an unknown man written for the mighty Tito’s ship Galeb. The ship has a symbolic value in the poem and through the variety...
Subtitle: English subtitles
Production: 2014
"Distant Memory" is a video poetry, which speaks about the times that once were. It all starts with a random event which evokes narrator’s memories about the times before the disintegration of Yugoslavia and encourages reflection about what the war actually brings and how quickly people forget everything. The poem can be interpreted as a letter or a personal confession of an unknown man written for the mighty Tito’s ship Galeb. The ship has a symbolic value in the poem and through the variety...
Valérie Wolf Gang - La vue à travers la fênetre (A View through The Window) (00:19:49)
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Ana Sluga - Still Life I (00:02:23)
Production: 2011
Bližnji statičen posnetek semaforja, na katerem se v realnem času zamenjata dva cikla luči. V podlagi se vrti melanholična klavirska glasba iz filma Shindlerjev seznam. Predmet tihožitja na posnetku ni prizor iz narave, ampak del urbanega javnega prostora. Semafor kot naprava, ki s svetlobo odmerja čas in gibanje. Izrez kadra nakazuje subjektiven pogled voznika ali sovoznika, ki pa se ne premakne, ko posveti zelena luč. Neaktivnost lahko razumemo kot nezmožnost sprejemanja odločitev in z njimi...
Production: 2011
Bližnji statičen posnetek semaforja, na katerem se v realnem času zamenjata dva cikla luči. V podlagi se vrti melanholična klavirska glasba iz filma Shindlerjev seznam. Predmet tihožitja na posnetku ni prizor iz narave, ampak del urbanega javnega prostora. Semafor kot naprava, ki s svetlobo odmerja čas in gibanje. Izrez kadra nakazuje subjektiven pogled voznika ali sovoznika, ki pa se ne premakne, ko posveti zelena luč. Neaktivnost lahko razumemo kot nezmožnost sprejemanja odločitev in z njimi...
Katjuša Kovačič - Njavke: Crossed-Eyed Gazes (00:14:53)
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Ana Čigon - Dear Ladies, Thank You (Kapelica Gallery) (00:05:06)
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Ana Čigon - Dear Ladies, Thank You – Red Dawns (00:12:30)
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
Ana Čigon - Perspective (00:05:07)
Subtitle: Video Installation
Production: Ana Čigon, Galerija Alkatraz, 2010
Delo je enokanalni video, ki združuje dokumentacijo večkanalne videoinstalacije v galeriji Alkatraz z originalnimi posnetki. Performans za video je bil predhodno posnet v prostorih galerije in nato predstavljen na treh dvo-kanalnih projekcijah v zanki. V videu se izmenjujejo posnetki prostorske postavitve z originali, ki so sestavljeni tako, da je znotraj enega kadra več posnetkov, ki simulirajo prostorsko postavitev. Video spominja na delo One more kick iz leta 2009, vendar ni njegovo nadaljevanje, am...
Subtitle: Video Installation
Production: Ana Čigon, Galerija Alkatraz, 2010
Delo je enokanalni video, ki združuje dokumentacijo večkanalne videoinstalacije v galeriji Alkatraz z originalnimi posnetki. Performans za video je bil predhodno posnet v prostorih galerije in nato predstavljen na treh dvo-kanalnih projekcijah v zanki. V videu se izmenjujejo posnetki prostorske postavitve z originali, ki so sestavljeni tako, da je znotraj enega kadra več posnetkov, ki simulirajo prostorsko postavitev. Video spominja na delo One more kick iz leta 2009, vendar ni njegovo nadaljevanje, am...
Ana Čigon, Leja Jurišić, Teja Reba, Barbara Kapelj Osredkar - Ljubljana City of Women (00:09:02)
Production: Mednarodni festival sodobnih umetnosti – Mesto žensk, 2013
In the video action, Barbara Kapelj Osredkar and Teja Reba asked passers-by on the streets of Ljubljana whether they know about a monument in Ljubljana that would be dedicated to female personality and which woman would they choose if they could decide. The video picture on the other hand shows adapted existing monuments, transformed and dedicated to women in various places in Ljubljana. Monuments do not really exist, but they were computer-generated so that the images of existing sculptures dedicated to ot...
Production: Mednarodni festival sodobnih umetnosti – Mesto žensk, 2013
In the video action, Barbara Kapelj Osredkar and Teja Reba asked passers-by on the streets of Ljubljana whether they know about a monument in Ljubljana that would be dedicated to female personality and which woman would they choose if they could decide. The video picture on the other hand shows adapted existing monuments, transformed and dedicated to women in various places in Ljubljana. Monuments do not really exist, but they were computer-generated so that the images of existing sculptures dedicated to ot...
Ana Čigon - Remembering the Others (00:45:54)
Production: Ana Čigon, Stacion - Center for Contemporary Art, Prishtina - Kosovo, Mestna galerija Ljubljana, 2015
Remembering the Others is a documentary about the meaning and power of public monuments. In the film students, artists, theoreticians and activists from Prishtina, Kosovo talk about the meaning of monuments. Which people have the privilege to be represented in monuments? Why there are almost no monuments dedicated to women in Kosovo? Which other people (marginalized groups) and stories are excluded in such monuments? The film states that if the (hi)stories of marginalized groups are hushed, and the (hi)stor...
Production: Ana Čigon, Stacion - Center for Contemporary Art, Prishtina - Kosovo, Mestna galerija Ljubljana, 2015
Remembering the Others is a documentary about the meaning and power of public monuments. In the film students, artists, theoreticians and activists from Prishtina, Kosovo talk about the meaning of monuments. Which people have the privilege to be represented in monuments? Why there are almost no monuments dedicated to women in Kosovo? Which other people (marginalized groups) and stories are excluded in such monuments? The film states that if the (hi)stories of marginalized groups are hushed, and the (hi)stor...