Nataša Prosenc Stearns - The Beach (00:05:51)
Production: Kanalya Pictures, 2004
Selected moments from Venice Beach. Shot with exerimental recording technique, which combines DV camera, film lenses, and an adaptor for converting the film image to digital signal.
DIVA 2000-2009
409 results in works
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Wedding (00:01:00)
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Marko A. Kovačič - Golden Section/Indeed (00:29:08)
Production: KUD France Prešeren / Zavod SCCA-Ljubljana, 2004
A film in the genre “the silent musical” was originally screened with live music (VIS Zlati Kastrioti). It creates a Kastrioti story about a mother who leaves her children to their fathers due to a stormy spirit, unspoken love, and the realization of the truth. (Source: Station DIVA)
Production: KUD France Prešeren / Zavod SCCA-Ljubljana, 2004
A film in the genre “the silent musical” was originally screened with live music (VIS Zlati Kastrioti). It creates a Kastrioti story about a mother who leaves her children to their fathers due to a stormy spirit, unspoken love, and the realization of the truth. (Source: Station DIVA)
Duba Sambolec - Airport Revisited (01:19)
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Zmago Lenardič, Jasna Hribernik - NewMoscowYork (00:25:20)
Production: White Balance, 2004
The video is a humoristic comparison of two metropolises – New York and Moscow, where the life in the age of globalization is close to identical. Authors juxtapose similar scenes on two different channels. Each channel shows an urban silhouette with skyscrapers, triumphal arches and monuments of one of both cities. Scenes are followed by a lively music and a narration by a voice speaking English with a Russian accent reading highly ironical quotations from Little golden America, a work by humorists Il...
Production: White Balance, 2004
The video is a humoristic comparison of two metropolises – New York and Moscow, where the life in the age of globalization is close to identical. Authors juxtapose similar scenes on two different channels. Each channel shows an urban silhouette with skyscrapers, triumphal arches and monuments of one of both cities. Scenes are followed by a lively music and a narration by a voice speaking English with a Russian accent reading highly ironical quotations from Little golden America, a work by humorists Il...
Damijan Kracina, Vladimir Leben - Ape Boys (00:12:11)
Production: 2004
This music video with Damijan Kracina on bass and Vladimir Leben on drums was first a video performance in an installation in which the scenery simulated the ape’s natural habitat, similarly to what is done in TV documentaries. The video is exhibited as part of a video installation on a television set in a black box with printed screens. The artists wear ape costumes and play an introductory song and three grunge pieces. The video was exhibited as part of a group project with Galapagos and Animal Tour. Th...
Production: 2004
This music video with Damijan Kracina on bass and Vladimir Leben on drums was first a video performance in an installation in which the scenery simulated the ape’s natural habitat, similarly to what is done in TV documentaries. The video is exhibited as part of a video installation on a television set in a black box with printed screens. The artists wear ape costumes and play an introductory song and three grunge pieces. The video was exhibited as part of a group project with Galapagos and Animal Tour. Th...
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.