Borut Savski - Electric Jesus (00:02:14)
Production: Galerija Kapelica, 2004
The author created a new human-like body, which is only a symbol of man. The emphasis is on the fact that the qualitative characteristics of the body and higher ideas, such as suffering, or at the end of the god, are preserved regardless of the materiality of the form. As Borut Savski emphasized, man creates everything in his own form, while Electric Jesus points out that understanding, perception and evaluation can not escape humanity. (DIVA)
DIVA 2000-2009
412 results in works
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Hiteti ali biti temeljit? (00:03:25)
Production: Kolektiva, 2004
A Slovene question that translates into "To hurry or to be thorough?" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Production: Kolektiva, 2004
A Slovene question that translates into "To hurry or to be thorough?" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
(Mrevlje - Pollak) Jaša - Leo's fall (00:27:14)
Production: Ganes D.O.O, 2004
Production: Ganes D.O.O, 2004
Dejan Habicht - das Dorf
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004
19 color photographs in a long stripe present indescribable boredom and dramatics of a small German village by night, where the artist was on a residency. (10MB)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004
19 color photographs in a long stripe present indescribable boredom and dramatics of a small German village by night, where the artist was on a residency. (10MB)
Sašo Sedlaček - Zanka / Loop (00:05:56)
Production: Galerija Kapelica, 2004
Video prikazuje proces izdelave in uporabo stavbenega objekta, zgrajanega iz recikliranega materiala. Stavbeni objekt je mobilen in se lahko kot parazit postavi na različna urbana mesta, kjer s svojo amatersko radio postajo lahko uporabniku oddaja zvočne informacije iz okolja. Avtorjeva izbira mesta za instalacijo objekta je zelo sugestivna. V nakupovalnem centru, pod panojem "To je moje mesto", zveni projekt rahlo sarkastično. Umetnikov komentar je več kot očiten - ali v tem okolju potrošništva splo...
Production: Galerija Kapelica, 2004
Video prikazuje proces izdelave in uporabo stavbenega objekta, zgrajanega iz recikliranega materiala. Stavbeni objekt je mobilen in se lahko kot parazit postavi na različna urbana mesta, kjer s svojo amatersko radio postajo lahko uporabniku oddaja zvočne informacije iz okolja. Avtorjeva izbira mesta za instalacijo objekta je zelo sugestivna. V nakupovalnem centru, pod panojem "To je moje mesto", zveni projekt rahlo sarkastično. Umetnikov komentar je več kot očiten - ali v tem okolju potrošništva splo...
Neven Korda - Bijela črna rumena (Miss. Bee) (00:02:46)
Production: 2004
Bijela črna rumena (Miss. Bee) Atmosphere of video announces impotence of democratic public: swelling in privacy of homes. Miss.Bee were among the first artists and musicians who began to ask questions about erased residents of Slovenia in public. As they say: "Done to support so called erased, Slovenian citizens denied of citizenship due to non Slovenian nationality." (Neven Korda)
Production: 2004
Bijela črna rumena (Miss. Bee) Atmosphere of video announces impotence of democratic public: swelling in privacy of homes. Miss.Bee were among the first artists and musicians who began to ask questions about erased residents of Slovenia in public. As they say: "Done to support so called erased, Slovenian citizens denied of citizenship due to non Slovenian nationality." (Neven Korda)
Anja Medved - Town in a Meadow (01:03:00)
Subtitle: video essay on Nova Gorica
Production: Kinoatelje, 2004
When the Primorska Region was annexed to Yugoslavía, the town of Gorica/Gorizia remained in Italy. In 1948, a new Gorizia (Nova Gorica) began to be built on the Yugoslav side. The town in a meadow, on a swamp, on an abandoned cemetery by an old brickyard has stood for long years like a skeleton in the middle of an empty space, alongside an immensely wide street that led nowhere. People who were moving to the town from half over the country soon discovered that they found themselves in the ‘Wild...
Subtitle: video essay on Nova Gorica
Production: Kinoatelje, 2004
When the Primorska Region was annexed to Yugoslavía, the town of Gorica/Gorizia remained in Italy. In 1948, a new Gorizia (Nova Gorica) began to be built on the Yugoslav side. The town in a meadow, on a swamp, on an abandoned cemetery by an old brickyard has stood for long years like a skeleton in the middle of an empty space, alongside an immensely wide street that led nowhere. People who were moving to the town from half over the country soon discovered that they found themselves in the ‘Wild...
KOLEKTIVA, Vesna Bukovec, Lada Cerar - Special place in the city – Nottingham (00:20:38)
Production: Kolektiva, 2004
The video is the first in a series of projects that have been produced since 2004 within the framework of the KOLEKTIVA's psycho-geographical platform 'Special Place in the City'. The video was recorded at the artist residency in Nottingham. Local artists and passers-by were asked about their special places, locations and feelings that they bring out in them. The artists follows with the camera individuals on the street to their locations and records their stories. The video contains eight di...
Production: Kolektiva, 2004
The video is the first in a series of projects that have been produced since 2004 within the framework of the KOLEKTIVA's psycho-geographical platform 'Special Place in the City'. The video was recorded at the artist residency in Nottingham. Local artists and passers-by were asked about their special places, locations and feelings that they bring out in them. The artists follows with the camera individuals on the street to their locations and records their stories. The video contains eight di...
Miha Vipotnik - Atmosphere (10:15)
Production: Miha Vipotnik, 2004
The experimental video is a part of a larger digital composition and interactive sound program shown as an interactive multimedia visual-audio installation by Miha Vipotnik (Glass Courtyard and Gallery in Eurocenter, Ljubljana, Slovenia in 2004). It consisted of a large lantern with the digital composition (20x9 m, double-sided printing on a translucent screen), stage elements, computer print and video projection on the walls of the gallery, light sensors, interactive sound program for the atrium, gallery,...
Production: Miha Vipotnik, 2004
The experimental video is a part of a larger digital composition and interactive sound program shown as an interactive multimedia visual-audio installation by Miha Vipotnik (Glass Courtyard and Gallery in Eurocenter, Ljubljana, Slovenia in 2004). It consisted of a large lantern with the digital composition (20x9 m, double-sided printing on a translucent screen), stage elements, computer print and video projection on the walls of the gallery, light sensors, interactive sound program for the atrium, gallery,...
Bratko Bibič - In the Family Garden (51:48)
Production: Zavod Alcedo, Slovenska kinoteka, Filmski arhiv RS, 2004
In 1999, Bratko Bibič and his colleagues began editing, recycling, adapting ... archived silent and sound, completely ignored contributions of Slovenian and other filmmakers to the history of local mentalities. He decided to immerse himself in the cinematographic tradition of Slovenes from 1905 onwards, starting at the source of world film history: composing and performing live music at screenings of the first and second part of the music and film project under the auspices of Bridko Bebič's Traveling Cin...
Production: Zavod Alcedo, Slovenska kinoteka, Filmski arhiv RS, 2004
In 1999, Bratko Bibič and his colleagues began editing, recycling, adapting ... archived silent and sound, completely ignored contributions of Slovenian and other filmmakers to the history of local mentalities. He decided to immerse himself in the cinematographic tradition of Slovenes from 1905 onwards, starting at the source of world film history: composing and performing live music at screenings of the first and second part of the music and film project under the auspices of Bridko Bebič's Traveling Cin...
