Duba Sambolec - Code IV (18:31)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation.
NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
DIVA Performance
186 results in works
Duba Sambolec - Conversion (24:53)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the video a sign "I always forget!." appears twice. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experienc...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance is set inside an empty space in which the author moves with a blind over her eyes and a gun in her hands. She repeats a sentence "I don't exist" and occasionally shoots her gun. The space goes dark in the middle of the video. Over the video a sign "I always forget!." appears twice. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experienc...
Duba Sambolec - Collectors #4 (12:02)
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
Damijan Kracina, Vladimir Leben - Ape Boys (00:12:11)
Production: 2004
This music video with Damijan Kracina on bass and Vladimir Leben on drums was first a video performance in an installation in which the scenery simulated the ape’s natural habitat, similarly to what is done in TV documentaries. The video is exhibited as part of a video installation on a television set in a black box with printed screens. The artists wear ape costumes and play an introductory song and three grunge pieces. The video was exhibited as part of a group project with Galapagos and Animal Tour. Th...
Production: 2004
This music video with Damijan Kracina on bass and Vladimir Leben on drums was first a video performance in an installation in which the scenery simulated the ape’s natural habitat, similarly to what is done in TV documentaries. The video is exhibited as part of a video installation on a television set in a black box with printed screens. The artists wear ape costumes and play an introductory song and three grunge pieces. The video was exhibited as part of a group project with Galapagos and Animal Tour. Th...
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Borut Savski - Sonic Point of View (00:08:46)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Marko A. Kovačič - Back to the USA (00:04:37)
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Production: 1984
Video je nastal v okviru razstave Back to the USA skupine R IRWIN S (katere član je bil takrat Kovačič) v Galeriji ŠKUC. Poleg dokumentarnih posnetkov z razstave in spremljajočih dogodkov, so bili kot performans uprizorjeni prizori iz slik na razstavi. Ženska in moški uprizarjata statične poze iz stenskih poslikav. Poslikave prikazujejo jazzista s trobento in par, ki se ljubi v ležečem položaju. Statične poze in igranje na trobento spremlja jazz glasba, ki jo prekini občasni računalniški napi...
Maja Smrekar - Brain TV (00:31:36)
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Martina Bastarda, Mateja Ocepek, Nataša Skušek - Pissing (0:04:28)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Production: 2002
Video work by three artists establishes a feministic social critique with an act of urinating in public. The authors in elegant costumes are placed into an idyllic snowy landscape. They take down their tights, lift their skirts and start urinating in a pose completely acceptable for a male. Seemingly vulgar scene deals with fixated roles, which are naturalized and as such attributed to sexes. (DIVA)
Martina Bastarda - TV dražba / TV Auction (0:59:44)
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.