Mirjana Batinić - In My Own Time (00:02:26)
Subtitle: (Channel No.3)
Production:
Video je del petkanalne video instalacije, ki prikazuje pet video performansov na obali. Avtorica, oblečena v črno, izbere različna mesta ob morju, kjer se postavi v določeno pozo in ostane negibna skozi cel prizor. Ta avtoričina negibnost animira ozadje, kjer gledalec opaža tudi najmanjše premike in detajle. Oddaljeni dogodki na horizontu postanejo središče dogajanja, črna figura avtorice pa se zreducira na obris, nekakšno luknjo sredi kompozicije, ki je ključ za vstop v ozadje.
DIVA Performance
186 results in works
Mirjana Batinić - Meduza (00:04:36)
Production: Mirjana Batinić, 2006
Avtorica v videu in skozi video relizira neki novi način lastnega obstoja. Medij vode uspostavlja breztežinsko stanje in omogoča lahkotno gibanje telesa v vseh smereh. Telo avtorice plava na način meduze, gre torej za proces depersonifikacije. Video kombinira tri različne rešitve svetlobe: osvetljeno telo na črnem ozadju, zatemnjeno telo na belem ozadju in nevtralno polje sivih tonov.
Production: Mirjana Batinić, 2006
Avtorica v videu in skozi video relizira neki novi način lastnega obstoja. Medij vode uspostavlja breztežinsko stanje in omogoča lahkotno gibanje telesa v vseh smereh. Telo avtorice plava na način meduze, gre torej za proces depersonifikacije. Video kombinira tri različne rešitve svetlobe: osvetljeno telo na črnem ozadju, zatemnjeno telo na belem ozadju in nevtralno polje sivih tonov.
Luka Dekleva - Sen/za Televizijo/a (00:28:38)
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...
Production:
The video is a result of artistic collaboration with Miha Vipotnik during the Sen/za Televizijo/a project at Jakopič Gallery, marking 30 years to the date after the first transmission of Vipotnik's television video project Videograma 4 on May 4th, 1979. Dekleva's work is a re-make of Videograma 4. The image has been deformed with an oscillator in order to achieve an entirely abstract video, thus making the image and sound completely illegible and seemingly playing in a slowed down mode as though...
Samo Gosarič - Komad za Matjaža Hanžka (00:36:45)
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Production:
Komad za Matjaža Hanžka je hommage konkretni poeziji Matjaža Hanžka iz zgodnjih 70. let. Plesni recital ima izhodišče v prvem delu njegove pesniške zbirke "Iščemo pesmi, kje so?" (1971), od koder prevzema postopke programiranja in naključja, ki nato služijo kot osnova avtorskim koreografijam vsake od treh plesalk.
Vesna Bukovec - Everything I eat turns to health, beauty and love (00:03:48)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. The image of the video is clean, with the white color scheme emphasizing immaculateness. We see a woman eating and chanting a mantra, which is a parody of new age lifestyle which promotes the power of suggestive thoughts. Music is light and carefree.
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. The image of the video is clean, with the white color scheme emphasizing immaculateness. We see a woman eating and chanting a mantra, which is a parody of new age lifestyle which promotes the power of suggestive thoughts. Music is light and carefree.
Vesna Bukovec - I can create positive change (00:02:30)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman cleaning and chanting a mantra, which is a parody pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or knitting. The mantra also reminds us of new age lifestyle which promotes the power of suggestive thoughts. Music is light and easygoing, image is clean and imm...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman cleaning and chanting a mantra, which is a parody pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or knitting. The mantra also reminds us of new age lifestyle which promotes the power of suggestive thoughts. Music is light and easygoing, image is clean and imm...
Vesna Bukovec - I love myself for who I am (00:03:10)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman trying to accent her beauty and her perfect appearance and chanting a mantra, which is supposed to help her accept and love herself. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleani...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman trying to accent her beauty and her perfect appearance and chanting a mantra, which is supposed to help her accept and love herself. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleani...
Vesna Bukovec - I trust in the process of life (00:03:15)
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman knitting and chanting a mantra, which is supposed to help her accept and trust the natural flow of life. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or kn...
Production: V.B., 2010
Video is a part of White Performances / Positive Affirmations, a series calling out the deceptiveness of the ostensible happiness and illusions about a perfect life. We see a woman knitting and chanting a mantra, which is supposed to help her accept and trust the natural flow of life. Video is a parody of new age lifestyle which promotes the power of suggestive thoughts. The mantra is pointing out the absurdity of work automatism especially with so called women chores like cleaning, putting on make-up or kn...
Pila Rusjan - We are all Big Brother and Big Brother is just one of us (0:08:14)
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Polonca Lovšin - Vseuporabnidežnik 2 (00:00:34)
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...