Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
DIVA 2000-2009
412 results in works
Gorazd Krnc - Perzijke (del projekta Archaios xenê) (00:01:03)
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Me V(isual)S(ound) You (00:02:35)
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Gorazd Krnc - Medena tedna (krajša verzija) (00:18:18)
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Subtitle: video dnevnik
Production: Ping produkcija, 2006
Petja in Gorazd odpotujeta s kamero na poročno potovanje v Kenijo. Zbiranje pestrih kadrov je postavljeno v film, podprt z ustvarjalnim pristopom k montaži. Kenija, ki ostane v Afriki. (tekst: Kinootok 3) Snemanje kadrov poteka hitro in sunkovito, pristop je igriv.
Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Ana Sluga - Away (0:01:13)
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Production: 2006
Video work is a demonstration of a thundering demolition of an old building, symbolizing a destruction of something old, of the end of an era. The tragedy of the demolition is stressed with close-ups and melancholy music. Video, using seemingly infinite repetition, follows the demolition of solid material with static persistence and unusual composition.
Martina Bastarda - Umetniški projekt (01:30:00)
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Subtitle: Serija osmih video intervjujev s sodobnimi slovenskimi vizualnimi ustvarjalci
Production: 2006
Video work presents eight contemporary Slovene visual artists. Each of the fifteen minutes long interviews deals with each of the individuals as a unique personality and all eight of them together with their position in a broader social context. Overall the project contains intertwinement of views on the social and cultural scene in Slovenia in the beginning of the 21th century and on the personal experience of individual artists.
Jana Flego, Katarina Petrov - Intervju z Igorjem Zabelom (00:46:19)
Production: Zavod SCCA-Ljubljana / Založba/*cf. Ljubljana, 2006
Interview with Igor Zabel was carried out by Jana Flego and Katarina Petrov as a part of a project INSIDE OUT in Skuc Gallery on the January 22nd 2004. Interview is enclosed with Igor Zabel literary work Eseji I as a CD-ROM.
Production: Zavod SCCA-Ljubljana / Založba/*cf. Ljubljana, 2006
Interview with Igor Zabel was carried out by Jana Flego and Katarina Petrov as a part of a project INSIDE OUT in Skuc Gallery on the January 22nd 2004. Interview is enclosed with Igor Zabel literary work Eseji I as a CD-ROM.
Vladimir Ristić - Green Green Grass of Home (0:02:45)
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.