Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
DIVA 2000-2009
412 results in works
Dejan Habicht - Nevarni vzorci
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2006
Dangerous Patterns is an electronic book, which can be printed at home (557KB). Beautiful patterns on black and white photographs of biopsy specimens found in the discarded archives of the Institute of Oncology in Ljubljana.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2006
Dangerous Patterns is an electronic book, which can be printed at home (557KB). Beautiful patterns on black and white photographs of biopsy specimens found in the discarded archives of the Institute of Oncology in Ljubljana.
Brane Zorman, Irena Pivka - Zone Tourism (00:12:52)
Production: Maska, Cona, 2006
Serija izjav "turističnih" delavcev, ki svojim strankam - ilegalnim pribežnikom pomagajo prečkati meje Trdnjave Evrope. Vsebina dokumentarnega video dela predstavlja drugo plat medijske zgodbe, ki ponavadi portretira delo z ilegalnimi pribežniki kot popolnoma ne etično in kriminalno dejavnost. V množične medije tovrstne zgodbe - kot pravi eden od turističnih delavcev - pridejo samo takrat, ko se zgodi tragedija, ne predstavljajo pa pribežniškega vsakdana, ki ga producira politika šengenske meje. Vi...
Production: Maska, Cona, 2006
Serija izjav "turističnih" delavcev, ki svojim strankam - ilegalnim pribežnikom pomagajo prečkati meje Trdnjave Evrope. Vsebina dokumentarnega video dela predstavlja drugo plat medijske zgodbe, ki ponavadi portretira delo z ilegalnimi pribežniki kot popolnoma ne etično in kriminalno dejavnost. V množične medije tovrstne zgodbe - kot pravi eden od turističnih delavcev - pridejo samo takrat, ko se zgodi tragedija, ne predstavljajo pa pribežniškega vsakdana, ki ga producira politika šengenske meje. Vi...
Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Nataša Prosenc Stearns - Souvenir (film excerpts ) (01:20:00 (00:02:32))
Production: Kanalya Pictures, 2006
A thriller about illegal trade of African art and consequences of colonialism in the west.
Production: Kanalya Pictures, 2006
A thriller about illegal trade of African art and consequences of colonialism in the west.
Nika Oblak & Primož Novak - Smartist (00:02:59)
Production: U3 - Triennial of contemporary Slovenian art, Museum of Modern Art, Ljubljana (in collaboration with Stefan Doepner), 2006
Smartist is an independent mobile robot that replaces a person - more precisely, an artist - and performs this person's tasks. It lives in the exhibition area, where it moves freely and responds to visitors and other displayed works. Occasionally it writes Nika Oblak & Primož Novak’s signatures on the floor of the gallery, turning it into Smartist's signature. (Source: Nika Oblak & Primož Novak) The video documentation was recorded at U3 - 5th Triennial of contemporary Slovenian art, Museu...
Production: U3 - Triennial of contemporary Slovenian art, Museum of Modern Art, Ljubljana (in collaboration with Stefan Doepner), 2006
Smartist is an independent mobile robot that replaces a person - more precisely, an artist - and performs this person's tasks. It lives in the exhibition area, where it moves freely and responds to visitors and other displayed works. Occasionally it writes Nika Oblak & Primož Novak’s signatures on the floor of the gallery, turning it into Smartist's signature. (Source: Nika Oblak & Primož Novak) The video documentation was recorded at U3 - 5th Triennial of contemporary Slovenian art, Museu...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Special place in the city – Graz (00:38:21)
Production: Kolektiva, 2006
The video belongs to a series of projects that have been produced since 2004 in the context of the KOLEKTIVA's psycho-geographical Platform 'Special Place in the City'. The authors recorded the video at an artistic residence in Graz. Local artists and their friends were asked about their special spaces, locations and feelings that they bring out in them. The video contains nine different stories. Each story consists of two parallel frames, one showing the person in his/her special place, the other in the sp...
Production: Kolektiva, 2006
The video belongs to a series of projects that have been produced since 2004 in the context of the KOLEKTIVA's psycho-geographical Platform 'Special Place in the City'. The authors recorded the video at an artistic residence in Graz. Local artists and their friends were asked about their special spaces, locations and feelings that they bring out in them. The video contains nine different stories. Each story consists of two parallel frames, one showing the person in his/her special place, the other in the sp...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Visions (00:25:33)
Production: Kunsthaus Graz, 2006
The video is part of a project prepared by the authors for the group exhibition "Narratives, -35 / + 65: Two Generations" in Kunsthaus Graz, in 2006. They published an open call for a short story about the artwork prepared by the three authors for the exhibition at Kunsthaus Graz. The winning three stories from the competition were read by a professional actor and we hear them in the video. All the stories from the open call were published in a trilingual booklet that was included in the exhibitio...
Production: Kunsthaus Graz, 2006
The video is part of a project prepared by the authors for the group exhibition "Narratives, -35 / + 65: Two Generations" in Kunsthaus Graz, in 2006. They published an open call for a short story about the artwork prepared by the three authors for the exhibition at Kunsthaus Graz. The winning three stories from the competition were read by a professional actor and we hear them in the video. All the stories from the open call were published in a trilingual booklet that was included in the exhibitio...
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Kaja & Sava Kosmač - Please Don't Follow Me Into the Sun (00:04:48)
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
